Horror

James Suttles' film is a fun, slow-burning thriller that mixes several genres to good effect.

Sibling rivalry devolves into something far more sinister in this tense thriller from Argentina.

Two key reasons to see 'Shapeless': Kelly Murtagh's subtle, nuanced portrayal and Samantha Aldana's stylized rendering of addiction's impact.

Writer and director Zach Synder's 'Army of the Dead' seems like a cross between 'Escape from New York' and 'The Walking Dead.'

The Feast, dramatic, paranormal and horrific in its own right, compels until the end. Though its genre differs from Broadcast Signal Intrusion, both films find appropriate synchronicity in SXSW's Midnighters category.

Well made and intriguing, this film misses the mark by two percent but signals better work to come from the filmmakers.

Comedy thriller starts out strong but stumbles over its schizophrenic story arcs.

Although it's unnecessarily lengthy and suffers from an overabundance of dialogue, Doleac's film provides some thrills and interesting twists.

Exploitation movie producer/distributor Sam Sherman tells his story in Part One of this exclusive interview.

'The Eclipse' is a 2009 collaboration between actor Ciarán Hinds and writer-director Conor McPherson, who are still forces to be reckoned with in theatre. The film effectively merges supernatural horror and romance.