Horror

Writer and director Zach Synder's 'Army of the Dead' seems like a cross between 'Escape from New York' and 'The Walking Dead.'

The Feast, dramatic, paranormal and horrific in its own right, compels until the end. Though its genre differs from Broadcast Signal Intrusion, both films find appropriate synchronicity in SXSW's Midnighters category.

Well made and intriguing, this film misses the mark by two percent but signals better work to come from the filmmakers.

Comedy thriller starts out strong but stumbles over its schizophrenic story arcs.

Although it's unnecessarily lengthy and suffers from an overabundance of dialogue, Doleac's film provides some thrills and interesting twists.

Exploitation movie producer/distributor Sam Sherman tells his story in Part One of this exclusive interview.

'The Eclipse' is a 2009 collaboration between actor Ciarán Hinds and writer-director Conor McPherson, who are still forces to be reckoned with in theatre. The film effectively merges supernatural horror and romance.

This mixed bag of holiday-themed short stories isn't quite like getting coal in your stocking, but it never quite rises above predictability.

Cross the "Puppet aster" series with the "Saw" series and you get this silly, low-budget mess.

You see a car going down a highway through fields of high grass. On the radio, Sam Cooke is singing “It’s All Right”. That’s the last pleasant sound you hear till the end of In the Tall Grass. The rest of the sounds you hear for the next ninety minutes …