Dance

The newest dance extravaganza from Austin McCormick's Company XIV offers gaudy, jaw-droppi entertainment while showcasing a deepening maturity.

Company XIV's spangly, turbocharged dance aesthetic, as energetic and psychedelic as ever, is all the more immersive in the company's own Brooklyn nightclub-theater.

Cantata Profana explores via collage the story of a rape that, according to legend, triggered the fall of the monarchy in ancient Rome.

The Gallery Players' sterling new production reminds us that 'A Chorus Line' is not only loaded with some of the greatest show music ever, but one of the best pieces of meta-theater ever devised.

This dramatic and celebratory dance extravaganza floods the stage with rhythm and song, storytelling, and a phalanx of aggressively talented dancers.

Eurythmy produces a performing experience unlike many others; it lures you in to new shores, perhaps a bit like the song of the sirens once captured Odysseus.

This suite is full of heart and likely to move yours, and while it might make you wish you could see the ballet, it won't leave you frozen.

In one of the show's most emblematic moments, Asad's friends recoil when he sticks to his principles and accepts a cup of tea from a woman of what they see as an inferior clan. This operatic true tale from South Africa of a Somali refugee's harrowing journey of survival resonates ringingly in today's Europe and America.

This sweet story slides from religious tradition into the traditions that arise in an individual family – the legends, the habits, the clashes, and the spoken and too-often unspoken feelings.

In this composite interpretation of the Greek myth of the incestuous queen, Isabelle Huppert's marvelous performance is really three marvelous performances in one.