Cabaret

Todd Almond continually gets waylaid just trying to be a decent and reasonably happy version of himself in this charmingly surreal musical storytelling session.

Death of Classical and the Prototype Festival, two of NYC's cultural powerhouses, coalesced on Friday night, turning packed audiences into time travelers.

A cabaret-style show brings to life the barrier-smashing female director who was also an infamous filmmaker for the Nazis.

'PS Burn This Letter Please' by Craig Olsen is a beautiful homage to the brave souls living in a dangerous time when being a drag queen often meant prison.

Melanie Greenberg's autobiographical cabaret-style show weaves monologue and music into a compelling bildungsroman told with verve, charm, and humor.

Benjamin Eakeley shares stories about his career, his time at the STNJ, and his approach to developing arrangements for his concerts.

Cabaret superstar Sven Ratzke and brilliant pianist Christian Pabst's 'Where Are We Now' is an ardent tribute to David Bowie and a vivid efflorescence of two towering artistic personalities.

For a humorous wit and wag, Tulis McCall is no joke, serious about her comedy as all fine comedians should be. I completely identify with her wisdom about aging, sex, male machismo, and the mirror.

The Andersons and their band are masters at this art of spinning new interpretations on older melodies revealing the music's timeless appeal.

Cabaret singer Barb Jungr and pianist-singer John McDaniel gave us a sparkling set of songs from 1968, reminding us of the greatness of that era's popular music.