Cabaret

Cabaret superstar Sven Ratzke and brilliant pianist Christian Pabst's 'Where Are We Now' is an ardent tribute to David Bowie and a vivid efflorescence of two towering artistic personalities.

For a humorous wit and wag, Tulis McCall is no joke, serious about her comedy as all fine comedians should be. I completely identify with her wisdom about aging, sex, male machismo, and the mirror.

The Andersons and their band are masters at this art of spinning new interpretations on older melodies revealing the music's timeless appeal.

Cabaret singer Barb Jungr and pianist-singer John McDaniel gave us a sparkling set of songs from 1968, reminding us of the greatness of that era's popular music.

After a day of protests, Concerts for America presented a star-studded program at historic Cooper Union to be broadcast July 8.

The Paris-based nude cabaret show visits Singapore.

Refreshingly, the show doesn't focus on the tragic side of Édith Piaf's biography. It's nice to be reminded that her career was a deserved triumph, that sometimes popular audiences recognize greatness while the great one is alive to appreciate it.

Falling in love is euphoria and terror. There is no other way to achieve its beauty and hope.

All through the generous, smart, funny show, carefully crafted yet emotionally authentic, with Marshall sang songs by Jacques Brel and made famous by Edith Piaf, living the songs, and letting us live them – and live her love affair with Paris – too.

'Edith Piaf is unique, singular. If you try to imitate or mimic Piaf? It’s not possible. But if Anne tries to fulfill Edith Piaf with her soul, she can reach people because she is herself.'