Kate Budgen recounts how she met writer Cordelia O'Neill and her approach to directing plays about difficult subjects.
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Theater Interview: Ali Kennedy Scott, Creative Producer, ‘Repulsing the Monkey’
Ali Kennedy Scott explains the challenges and considerations involved in mounting theatrical productions in New York City during the COVID pandemic.
Read More »Theatre Interview: John R. Wilkinson, Director of ‘Mugabe, My Dad & Me’
Wilkinson shares his approach to directing and the rehearsal process for this new play written and performed by Tonderai Munyevu.
Read More »Greenwich+Docklands International Festival Interview: Jeanefer Jean-Charles, Choreographer and Artistic Director of ‘Black Victorians’
Jeanefer Jean-Charles provides an in-depth look at the research and rehearsal processes behind 'Black Victorians,' which returns to GDIF, a popular performing arts festival in London.
Read More »Hollywood Fringe: Capsule Theater Reviews
Short reviews of shows playing at the Hollywood Fringe Fest.
Read More »Theater Review (NYC): ‘I Am Your Masseuse’ – Five Short Plays by John Patrick Shanley
Screamingly funny and wittily deep, Shanley's latest explores self and identity through the lens of love and sex.
Read More »Opera Review (NYC): Teatro Nuovo’s ‘The Barber of Seville’ Outdoors at Lincoln Center
Opera returned to NYC with a superb semi-staged production outdoors at Lincoln Center starring an array of excellent, big-voiced up-and-comers.
Read More »Film Interview: Petter Ringbom of ‘The New Bauhaus’
Producer, cinematographer, and designer Petter Ringbom explains the development of the new documentary about Hungarian artist László Moholy-Nagy.
Read More »Theater Interview: Priyanka Shetty from ‘#Charlottesville’
'#Charlottesville' is part of this year's East to Edinburgh Goes Virtual festival from July 15 through July 25.
Read More »Theatre Interview: Gareth Snook from ‘Bagdad Cafe’ at The Old Vic
Actor Gareth Snook details the rehearsal process for 'Bagdad Cafe' and his expectations with returning to in-person theatre.
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