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Arts

Theater Review (NYC): ‘Rotterdam’ by Jon Brittain

In the aftermath of a season of "identity politics," the Olivier Award-winning new play zooms in on a handful of young people whose personal identity politics happen to involve sexual orientation and gender identity, but who could stand in for any and all of us. And it does so with glitz and panache, meaty insight, sinewy dialogue and performances, and top-notch skill from beginning to end.

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Theater Review (NYC): Mint Theater Revives ‘The Lucky One’ by A.A. Milne

Though his ongoing fame today rests almost entirely on his writing for children, especially the world of Winnie the Pooh, A.A. Milne (1882-1956) was a literary polymath who had a successful career on the London and Broadway stages in the 1920s. The Mint Theater reminds us with the first New York revival of this "serious comedy," a character study of two brothers.

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Theater Review (NYC): ‘The Marriage of Alice B. Toklas by Gertrude Stein’ by Edward Einhorn

Einhorn's sumptuous dishing up of Toklas' and Stein's world and their dynamic and inimical relationship leaves one thinking, and his take on these women and the "larger than life" denizens of their milieu who magnify their relationship enthralls with its uncanny beauty.

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Theater Review (Off-Broadway NYC): ‘Iphigenia in Splott’ by Gary Owen

A typhoon of a performance by Sophie Melville drives toward – and justifies – a wrenching twist. Directed with just-shy-of-frantic energy by Rachel O'Riordan, Sophie Melville's Effie is a raw slice of humanity, baring her ragged soul and bringing us her milieu, a few of the people in her life, and a critical encounter with a war veteran that bends the arc of her history toward, if not justice, a kind of heroism.

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