Editor Pick: Culture and Society

Conor McPherson's musical is a sensitively crafted production about the Great Depression, featuring great tracks from Bob Dylan's rich discography.

It is the first day of 2020 and, in all honesty, there is not much we can say about this year right now, so there is a tendency to look back at 2019 and think about all that happened.

NYGASP's 'Mikado' is replete with clever updates, but its rich flowering of stage basics is what makes it a great Gilbert and Sullivan production.

Jamie Lloyd Company's latest West End production gives us a vibrant and refreshing poetry slam spin to the classic tale.

I had a dream the other night that reminded me of my Christmases past.

Thirty-two years on, 'The Woman in Black' remains a staple in the theater with its spooky twists and artistic creativity.

Part memoir and part lesson in acting, McKellen's solo show is a must-see on the West End.

In Heartbeat Opera's smartly staged and beautifully sung reimagining of Der Freischütz, the mystical story Weber adapted from a supernatural folk tale resettles comfortably in the American South.

Director Richard Clifford brings a riveting interpretation of Peter Shaffer's 'Amadeus' to the Folger's 2019-2020 season.

Austin’s Wizard World Comic-Con brought three days of sci-fi, fantasy, cosplay, and generally uninhibited nerdiness to the Austin Convention Center, November 8-10. What did I geek out about? Two things. I went looking for Gotham co-star Sean Pertwee, who played Alfred, the Wayne family butler. Then a bunch of laughing …