'Last of the West Side Cowboys' is simply marvelous. The melody rumbles and rolls along with egregious dynamism, while the rhythm vibrates with a pulsing irresistible pattern. Goddess’ grating voice magnifies the music's electrical sparkle. All these elements combined make it a winner.

'John Wayne' is cool, fun, and stylish. The funky hip-hop melody is innovative enough to attract and maintain attention, while the lyrics imbue the tune with sardonic wit. After listening to 'John Wayne,' the forthcoming album should be worth the wait.

Wow! 'Pulse' is surprisingly good. The melodies are lustrous and expansive, while the rhythms ache with splendid muted buffeting. Chandler’s voice is easy to listen to and rife with velvety sonority. I enjoyed 'Pulse' and recommend it to you.

'War in Heaven' is a heavy-duty album, especially for fans of metal. Original melodies, pulsing with energy and vibrating rhythms, are anything but derivative. Henry Metal’s voice retains a presumptuous vitality that works well, and his talent on the axe is superb – great shredding and ascendant riffs.

'Ok to Land,' Livingmore's debut, delivers outstanding alt/pop rock. The melodies emanate infectious pigments, as well as creamy smooth harmonics. And Moore’s elegantly yummy voice infuses an aesthetic finish both polished and exquisitely delightful.

'Power' is a strong album, especially if you’re into gleaming prog rock. The melodies ooze undulating waves of harmonic colors and the vocal harmonies complement the expansive nature of the music. Staring Into Nothing has produced an assertive album worth listening to.

'Forever Love' demonstrates douceur de vivre, the “sweetness of life.” It’s a great, lively love song. The melody is infectious, the rhythm pulses with undeviating brawn, and Kaz Bielinski’s voice injects just the right amount of shivering passion.

'High on Love (Cant’ Get Too)' is a buff and nastily tight song. The funky melody writhes with chill, fresh dynamics, as the rhythmic pulsations flex with muscularity. With this tune, Karen Atkins delivers music rife with enormous frisson.

'Anything Can Happen' is a beautiful love song. The indulgent melody exudes an easy elegant sonority, while the gentle rhythm assumes a reflective ambiance. And Brian Hutson’s silky voice bestows a charming flavor that’s compelling.

The tones of dark gravity on 'Greetings From Mars' completely bypass the normal auditory apparatus. You listen but you also experience the music on a primal and visceral level, like a punch in the solar plexus. This is pure, dominant noise rock, consuming, taut with foreboding, and engaging.