'Robots, Rockets & Rampage' is taut, powerful metal, full of tone of sepulchral gravity and superior harmonic concatenations. It exudes raw, palpable, prodigious energy and monumental rhythmic punch. War Gods of the Deep knows how to turn up the heat.

'120' is “gorgeously delicious.” Daniel Biro’s musical wizardry amalgamates complex layers of sonic tessellations and gravity-defying textures into pure elegance. This is ambient music as it should be - immanent and transcendent, yet revelatory. It’s simply sublime.

'Resettlement' delivers an amalgamation of prog-rock, alt-rock, gospel exuberance, dynamic stasis, and frictional harmonics into innovative, matchless music - like something out of a futuristic sonic factory, where wild residual energy merges with the digital.

'Don’t Speak' is gorgeous. The escalation of the harmonic progression synthesized with Arvesten’s rich, diaphanous voice coruscates with brilliant energy. Helga Arvesten is an artist to keep your eye on. There’s an indefinable flair to her music that’s captivating.

This is the second part of my interview with Eric Anders, whose anti-Trump release, 'Eleven Nine,' piqued my interest to find out his motivation and songwriting process behind this concept record.

'Hidden Dimensions' defines the analogous aesthetic doctrine that says the tighter the discipline of an art form, the more subjective the criteria of taste. In other words, if you’re into experimental, state-of-the-art sonic manipulation, then you will enjoy this album.

I recently reviewed Eric Anders’ latest album, called 'Eleven Nine,' which is an anti-Trump concept album. Intrigued by the sentiments expressed in the lyrics of the album, I decided to interview Eric. I wanted to know more about his motivation for the album, as well as his songwriting process.

'Wonder Lust' is superb! The melodies are fresh and potently layered, while the rhythms sway with compelling dynamism. Tittel’s voice provides an easy listening experience, as well as just the right amount of persuasive passion.

'Roadmaps' is excellent and so cool, it’s almost frosty. The slightly experimental melodies challenge rather than repel, simply because of their innovative flow and glossy tones. If you’re into polished jazz, Jan Sturiale’s 'Roadmaps' is for you.

The highlights of 'In Silver Halides' are the silky-smooth melodies and Deakin’s hushed velvety voice. This is an album rife with beautiful, soft music tip-toeing between orchestral prog rock and buttery acoustic/classicism. 'In Silver Halides' projects lush excellence.