The renowned British songstress sang songs that touched upon the motifs of night and the bleak winter season when light is most absent.
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Concert/Theater Review (NYC): The Andersons in ‘Le Jazz Hot’
In 'How the French Saved Jazz,' songs by iconic jazz musicians show how the interest and contributions of the less-racist French influenced our important American art form.
Read More »Cabaret Review (Singapore): ‘A French Kiss in Singapore’
Talent like these lads have needs to be unleashed to the world beyond Singapore.
Read More »Theater/Cabaret Review (NYC): Poor Baby Bree in ‘I Am Going to Run Away’
Bree Benton, alias Poor Baby Bree, is a one-woman vaudeville revival machine, and I for one am glad it's in good working order
Read More »Cabaret Review (NYC): Inside Vickie and Nickie
The funniest thing about a Vickie and Nickie show is the way they attack each song as if it were a tough piece of meat that needed merciless tenderizing.
Read More »Cabaret Review (NYC): Alan Cumming at Feinstein’s at Loews Regency
The Cabaret and quite charming, engaging, and funny as just himself.
Read More »Cabaret Review (NYC): The Truth About Love…and the Usual Lies with Jessica Medoff and Michael Bunchman
This cabaret song cycle effectively weaves art songs and show tunes together, all on the inexhaustible subject of love.
Read More »Theater/Cabaret Review (NYC): ‘Tis the Season with Vickie and Nickie
Vickie and Nickie get the balance between spoof and sincerity just right.
Read More »Theater/Cabaret Review (NYC): Ben Rauch is Horace Vanderveer
Rauch's xylophone transcription from Rent is priceless - and I don't even like Rent.
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