Saturday , November 26 2022
This entertaining one-woman show teaches a valuable lesson about not pegging people into categories based on appearance, sex, or age.

Theater Review (NYC): ‘I Married a Nun’ with D’yan Forest

At age 77, D’yan Forest is a true original. Her one-woman confessional monologue features risqué-yet-homey comedy, the plucking of heartstrings, the plucking of actual strings – she has a lovely singing voice and accompanies herself on ukelele – and, most of all, stories. Especially stories about sex.I_MARRIED_A_NUN_Dyan_Forest

As it’s recounted here, in this one-woman production co-written and directed by Stephen Jobes, Forest’s life has been characterized by a restlessness not entirely of her own choosing. The central relationship is with an ex-nun who was the love of her life for a quarter century, and then suddenly was not. Our protagonist’s peripatetic way through an eventful life took her all over the world, but her affinity for languages and her special love for Paris provided her, and through her, provide us, with funny and sometimes startling vignettes of the sex-club underbelly of that endlessly charming city.

The core of the show lies not in specific stories or characters but in the central point Forest makes about not pegging people into categories based on appearance, sex, or age. She expresses this explicitly but its real effectiveness lies in the way she proves it by inducing us to get to know her to the extent that the novelty of a woman in her 70s recounting sexual escapades wears entirely off, until we perceive her as a many-faceted human being not defined by age, sexual orientation, or any other particular characteristic. All this takes places in the context of a colorfully entertaining monologue sprinkled with a pinch of pathos, a bag of naughty props, and a few well-chosen songs.

I Married a Nun ran as part of the NYC Frigid Festival. She’s taking the show on the road to Phoenix, AZ for that city’s Frigid event in the coming days, then appears again in NYC on March 15 at the Tada! Theatre as part of the One Woman Standing segment of the Emerging Artists Theatre‘s New Work Series.

About Jon Sobel

Jon Sobel is Publisher and Executive Editor of Blogcritics as well as lead editor of the Culture & Society section. As a writer he contributes most often to Culture, where he reviews NYC theater; he also covers interesting music releases in various genres. Through Oren Hope Marketing and Copywriting at you can hire him to write or edit whatever marketing or journalistic materials your heart desires. Jon also writes the blog Park Odyssey at where he visits every park in New York City. And by night he's a part-time working musician: lead singer, songwriter, and bass player for Whisperado, a member of other bands as well, and a sideman.

Check Also

Nadia Sepsenwol, Katie Broad, and Christian Prins Coen in 'Complicity' from Eden Theater Company

Theater Review (NYC): ‘Complicity’ Explores #MeToo in Hollywood

An absorbing, pungently played exploration of the stark truths and confounding complexities that spawned the Hollywood edition of the #MeToo movement.