The fantasy fable follows the preparations for a wedding between over-the-moon Jenny and Sebastian, a shiftless, barely-interested charmer who seems to have proposed as a lark.
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Theater Review (NYC): ‘Julius Caesar’ from Smith Street Stage
With Bryce Foley sparking a solid cast as a dangerous Marc Antony, Smith Street Stage's production makes great use of its outdoor space and excels at rendering Shakespearean language understandable and the story hit home.
Read More »Theater Review (NYC): ‘You Got Older’ by Clare Barron – Alia Shawkat Shines Darkly in Theatrical Stage Debut
Shawkat's performance is warm and gutsy, powerful and generous, impressive on its own terms and even more so as a stage debut.
Read More »Theater Review: The Long-Overdue New York Premiere of ‘Slaughter City’ by Naomi Wallace
Naomi Wallace's magical-realist fable about a strike at a slaughterhouse and meatpacking plant receives a long-overdue New York premiere.
Read More »Theater Review (NYC): ‘Traitors’ Resurrects the Legend of John Brown
The legend of John Brown's 1859 abolitionist raid is ripe for re-examining, but a new play set in a home for the mentally ill doesn't measure up.
Read More »Theater Review (NYC): ‘Blood Orange’ by Abigail Duclos
Viscerally a horror yarn, dramatically a study of character among teenage girls, this harrowing play has at its core a story of friendship.
Read More »Theater Review: John Krasinski, No Nice Guy in ‘Angry Alan’
A typical John Krasinski "nice guy" character gives us a surprising look at a wounded, angry reality in the solo show 'Angry Alan.
Read More »Theater Review: Glass. Kill. What if if Only. Imp.
In a suite of four powerful one-acts Caryl Churchill threads themes about vulnerability, powerlessness, and loss.
Read More »Theater Review (NYC): ‘Café Resistance’
Failures of script, storyline, direction and acting make 'Café Resistance' a misbegotten attempt at a play-with-music on a serious subject.
Read More »Theater Review: ‘Helen.’ by Caitlin George – Getting Inside Helen of Troy
In this compelling new comedy Helen of Troy is not a victim, a pawn, or a plot device, but an icon of feminist fortitude.
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