This nightmare future scenario asks: Are citizens responsible for crimes their lifestyles have perpetuated?
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Theater Review (NYC): ‘Nibbler’ by Ken Urban
A grimly funny, magic-realist portrait of a group of new high school graduates at that scary moment of first flight, assessed and conveyed with the wisdom of hindsight and painted with the brush of an artist.
Read More »Theatre Review (Singapore): ‘Detention Katong’ by Dream Academy
Some good moments stick out in this hit-and-miss musical about a girls' school.
Read More »Theater Review (San Antonio): A Striking ‘The Secret Garden’ at the Playhouse San Antonio
Marsha Norman and Lucy Simon's modern classic comes to the Playhouse San Antonio in a strikingly revisualized production.
Read More »Theater Review (NYC): ‘The Dressmaker’s Secret’ by Sarah Levine Simon and Mihai Grunfeld
Should a mother tell her son the truth of his father's identity?
Read More »Theater Review (San Antonio): ‘Pippin’ by Stephen Schwartz and Roger O. Hirson
This 1972 musical comedy is still a blast for modern audiences, as exemplified by the production now playing at the Woodlawn.
Read More »Theater Review (NYC): ‘Life According to Saki’ by Katherine Rundell
Hitting home with twisted humor and the eerie heat of childhood, this snappy adaptation of some of the great British satirist's stories alights in NYC after winning last year's Best of Edinburgh Award.
Read More »Theater Review: (NYC): ‘Crackskull Row’ at The Irish Repertory Theatre
When the spiritual world and the material world come together, a shattering reformation leads toward heaven and hell.
Read More »Theater Review (NYC): ‘Cabaret’ by Kander and Ebb at the Secret Theatre
Who would have thought Kander and Ebb's classic musical of 1930s Berlin would take on political relevance in the United States in the 21st century? An intimate new production makes the point with snazzy staging and a fine cast.
Read More »Theater Review (NYC): ‘Marian, or the True Tale of Robin Hood’ by Adam Szymkowicz
The Flux Theatre Ensemble's crisp new show careens from laugh to laugh. But the final action of its heroine/hero reminds us what really makes a legend, and how Robin Hood, who may never have really existed, is always with us.
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