Singapore has never had a true repertory theatre before.
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Theater Review (NYC Off-Broadway): ‘Bedbugs!!!’ the Musical by Paul Leschen and Fred Sauter
This deliciously campy show has so much frenzied, blood-sucking energy the small ArcLight theater can hardly contain it.
Read More »Theatre Review (Singapore): ‘Dance Like a Man’ by Mahesh Dattani
India's longest-running English-language play proves that Dance has the power to fracture, but also mend, relationships
Read More »Theater Review (NYC): ‘The Good and the True,’ Adapted by Brian Daniels
Brought to visceral, organic life by the exceptional Isobel Pravda and Saul Reichlin we follow Hana Pravda and Milos Dobry through the events of WWII and the Holocaust and are heartened by their goodness and their truth as they mend their lives and recreate themselves anew.
Read More »Theatre Review (Singapore): ‘Rock of Ages’
This weird 1980s jukebox musical is exciting and fun, and the humourous acting along with recognizable rock songs make it one you shouldn't miss.
Read More »Theater Review (NYC Fringe): ‘Felicitas’ by Libby Skala
The third in Libby Skala's trilogy of solo shows dramatizing her own family history engages our emotions while respecting our intelligence and leaving us feeling uplifted.
Read More »Theater Review (LA): ‘Moon Over Buffalo’
Ken Ludwig's enduring farce receives a sparkling and laugh-filled production at the Grove Theatre Center in Burbank.
Read More »Theater Review (NYC): ‘Piece of My Heart: The Bert Berns Story’ Off-Broadway
Glorious music overshadows some rickety storytelling in this joyful jukebox musical about "one of the great untold stories of rock and roll."
Read More »Theatre Review (Singapore): ‘Women of Asia’ by Asa Gim Palomera
Though 'Women of Asia' was written 20 years ago, its points about how women are treated are still very much relevant today.
Read More »Music Review: ‘Love’s Labour’s Lost’ (Original Cast Recording)
While there is much that works well in the adaptation, for the most part its music is uneven.
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