A new production of Rodgers and Hammerstein's 1947 Broadway flop suggests that Hammerstein's talent was not only innovative but even more forward-thinking than he himself and those around him might have realized.
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Theater Review (NYC): “The Caucasian Chalk Circle” by Bertolt Brecht
Christopher Lloyd is the wild and wooly Azdak in Brecht's class at CSC in NYC.
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