Tag Archives: off-off-Broadway

Intermittently funny and unevenly powerful, Mark Chrisler's play 'Worse Than Tigers' is amusingly absurdist and patently symbolist yet on another level grittily real.

This New Light Theater Project premiere is perceptively imagined, lovingly staged, beautifully acted, and definitely different.

A deeply personal story of love, weakness, and venality, 'The Sea Concerto' addresses wider issues too, often with penetrating clarity.

Rather than rehashing what's wrong with 'Chess,' I'll describe why it's still possible to enjoy the Gallery Players' production. The music is perhaps the most advanced artistic evolution of glossy '80s pop. And while I'm sure there are some curmudgeons out there who weren't fans of ABBA's sunny sound, Andersson and Ulvaeus were brilliant songwriters, master craftsmen not only of shiny dance tunes but also of lovely songs of love and loss.

With just four chairs and a keyboard director Scott Guthrie leads a full-tilt cast of five crisply through the sharp and funny series of twists and turns that make this epitome of self-referential shows shine.

Western Europe's earliest known dream-vision poem, newly translated from the Anglo-Saxon and adapted for the stage.

Intriguing, suspenseful, beautifully written and brilliantly acted, this world premiere production grabbed me by the nervous system and didn't let go until the lights came up.

Few writers can match Neil LaBute's ability to muscle the hateful sides of human nature into full relief.

Marvelous performances light up this too-long two-hander about what might happen when two people who've lived much of their adult lives in their own worlds are sent to a mental health facility to receive an experimental cure.

What good's talk therapy if the patient won't talk? Ten-year-old Cindy has gone mute, and her desperate mother and stepfather have brought her to self-assured therapist Vera to try and get to the bottom of the mystery.