Late in his career, August Strindberg wrote four short works he called "chamber plays" for his own new theater, which opened in Stockholm in 1907 with this weird one-act influenced by the playwright's studies of Swedenborg and incorporating his interest in the occult.
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Theater Review (NYC): ‘The Sensuality Party’ by Justin Kuritzkes
'The Sensuality Party' is a disturbing, fascinating, weirdly funny dive into the psyche of a generation as seen through one very talented writer's novelistically observant eye.
Read More »Theater Review (NYC): ‘Troll’ by Ken Greller
'Troll' plunges headlong into the hyper-modern. Are our online selves our true selves at all? If not, what are they? What do their actions say about us? The questions are vividly relevant.
Read More »Theater Review (NYC): ‘Wolf in the River’ by Adam Rapp
Magnificently acted, beautifully written, and claustrophobically staged in the round with a pile of dirt in the center, the cast running and slinking in circles behind the audience, 'Wolf in the River' is a jolt of dark energy.
Read More »Theater Review (NYC): ‘So Amazing!’ by Diana Brown – Solo Show Chronicles Cult Escape
Diana Brown digs into her own experience in a cult in her entertaining and thoughtful, if unpolished and not entirely satisfying, autobiographical solo show.
Read More »Theater Reviews (NYC): ‘Sprucehaven B’ and ‘Emily Dickinson: Paranormal Investigator’ at FRIGID New York
There's violence in Isabel's past, and now things seem to be spiraling out of control again. Ultimately, an edgy situation turns into a nightmare in Mark Cornell's chilling 'Sprucehaven B.'
Read More »Theater Review (NYC): ‘Fen’ by Caryl Churchill
Stellar acting and Patricia Lynn's crisp direction rocket this revival of one of the prolific playwright's classic works into the top tier of Off-Off-Broadway accomplishment.
Read More »Theater Review (NYC): ‘Utility’ by Emily Schwend
Schwend is marvelous at depicting the quotidian details that harass struggling families in The Amoralists' new production, and Vanessa Vache gives one of the year's standout performances.
Read More »EXCLUSIVE INTERVIEW: Todd Brian Backus, PowerOut Artistic Producer, on His New Play ‘Emily Dickinson: Paranormal Investigator’
A 19-year-old Emily Dickinson, teamed with Edgar Allan Poe, is the last line of defense between the everyday and a world of magic, ghosts, and vampires.
Read More »Theater Review (NYC): ‘City Girls & Desperadoes’ with Austin Pendleton at The Secret Theatre
Imagine one of Tennessee Williams's larger-than-life mother figures dropped into a Lanford Wilson play, and you'll have a hint at what to expect.
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