Singer/actress Pia Zadora discusses her wide-ranging international music and stage career from childhood to the present.
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Theater Review (Broadway): ‘The Lifespan of a Fact’ Starring Daniel Radcliffe, Cherry Jones, Bobby Cannavale
The "tru-ish" story of what happened when a meticulous fact-checker challenged a poignant essay about a teen's suicide at a Las Vegas resort.
Read More »Theater Review (NYC Broadway): Mike Birbiglia in His Brilliant Solo Show ‘The New One’
In this shimmering laugh riot Birbiglia relates his feelings with candor and authenticity. We become his intimates and he can tell us whatever he devises. We so want to listen!
Read More »Theater Review (Broadway NYC): ‘The Ferryman’ by Jez Butterworth, Directed by Sam Mendes
Mendes has shepherded the actors to terrific performances and created a potent, masterful production that must not be missed.
Read More »Theater Review (NYC Broadway): ‘The Ferryman’ by Jez Butterworth
Wordy and deep, Jez Butterworth's Olivier-Award-winning play leaps brightly into the sunshine carrying the bloody torch of Irish drama.
Read More »Theater Review (San Antonio): ‘Little Women’ at the Public Theater of San Antonio
A talented cast and attractive production help smooth over the bumps in the musical based on the Louisa May Alcott classic.
Read More »Theater Review (NYC Broadway): ‘Farinelli and the King’ with Mark Rylance
Well played all around, this Shakespeare's Globe production is blessed with the preternaturally naturalistic Rylance, whose severely manic-depressive and sometimes delusional King Philippe V of Spain is both brilliantly imagined and pulsatingly real.
Read More »Theater Review (NYC): ‘SpongeBob SquarePants: The Broadway Musical’
Kyle Jarrow has conceived a story that puts the show's appealing characters into a doomsday scenario encrusted, sea anemone-style, with a surprisingly persistent if easy to take sociopolitical edge.
Read More »‘Daryl Roth in Conversation With Linda Winer,’ a League of Professional Theatre Women Event
Broadway producer Daryl Roth struggled with the decision to close 'Indecent,' seeing the show each night for its 'final' two weeks and struck by the standing ovations. The last night, overwhelmed with emotion, she strode up to the closing notice and ripped it apart.
Read More »Playwright Paula Vogel (‘Indecent’ on Broadway) in Conversation with Linda Winer
There has been such enthusiasm for the production since Yale (2015) that the ensemble, the musicians, the stage manager, and the assistants have remained together. As Vogel says, “We’ve all moved together as one.”
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