Tag Archives: Broadway

The tale of Broadway's first lesbian kiss, nearly a century ago – and of one unique and strangely representative facet of the infinitely complex tale of the Jews of Europe and their migration to America.

Marsha Norman and Lucy Simon's modern classic comes to the Playhouse San Antonio in a strikingly revisualized production.

This 1972 musical comedy is still a blast for modern audiences, as exemplified by the production now playing at the Woodlawn.

Blanchett's Anna is as complex a lost soul as Broadway is likely to host this season, her yellow-hot energy as vital and clamorous when she's fuming in silence at the dinner table as when she's swooping in desperate high spirits from friend to friend in Act I. Roxburgh, in the most central role, is just as compelling.

Mae West wrote 'SEX' in the mid-1920s, just after the peak of first-wave feminism hit with the passage of the 19th Amendment in 1920. First-wave feminism was about suffrage and other basic political inequalities. 'SEX' more directly challenges gender roles and expectations and illustrates the hypocrisy and tragic consequences of societal gender inequities. So, West was more in line with second-wave feminism – which didn’t happen until the 1960s!

Co-star Lang's one-act piece is a warm portrait of one of the most famous (and forgotten) acting couples in Broadway history.

The astounding part of the 'Hamilton' phenomenon has been the tremendous popular success of such a language-heavy show. In a cultural and political environment of violence and hollering, it's easy to forget that poetry and rhetoric – words – still matter. A lot.

The cast, director and writer of of Eclipsed on Broadway (see my review) appeared at Sardi’s Restaurant a few weeks ago as star Lupita Nyong’o star was celebrated with a caricature of herself, now gracing the walls of the iconic eatery. The sketch signifies informally that an actor has been …

The long-running Broadway hit comes to the Playhouse in a musically satisfying production directed by Tim Hedgepeth.

Director Rick Sanchez's experimental staging of the classic rock opera contains more hits than misses, thanks to some solid performances.