The 1980s were coming to an end when Stevie Nicks released her fourth solo studio album May 11, 1989. It would reach number ten on the Billboard Magazine album charts and achieve platinum status for sales in The United States.
The Other Side Of The Mirror invites her listeners down the rabbit hole with her again to explore her magic world. While it is a place that had been visited a number of times, it is still interesting when she is at her creative best. There are highs and lows but when she is good, she is very good. On the real positive side, her voice is in much better condition than on her previous solo release.
“Rooms On Fire” was the lead song and big hit. It reached number 16 on The American Pop Singles Chart and rose to the number one position on the Mainstream Rock Chart. It was a pop/rock track similar to the Fleetwood Mac sound of the day. It is immediately familiar in a good way.
“Alice” sets the tone and theme of the album. It is a personal journey that is both dream and reality. Sometimes her lyrics can be obscure and difficult to understand, but here she treads the line between reality and myth well. The Kenny G solo is an added bonus.
There are a number of strong or at least interesting tracks. “Doing The Best I Can” is solid musically, but the lyrics deal with her substance abuse which gives the song a dramatic quality. “Whole Lotta Trouble” was one of three tracks she co-wrote with Mike Campbell of Tom Petty and The Heartbreakers fame, and is solid rock ‘n’ roll. “Ooh My Love” is one of those Stevie Nicks songs that is haunting and casts a spell. “Two Kinds Of Love” contains a nice duet with Bruce Hornsby plus some nice late 80’s era keyboards.
The album does contain what can be considered filler. “Cry Wolf” is a song written by Jude Johnstone and does not really fit her style. “I Still Miss Someone” is a Johnny Cash composition, and while it was not terrible, the space could have been put to better use.
The Other Side Of The Mirror does not have the consistent highs of her first two solo releases, but is still worth a visit now and then. The lyrics are a bit eccentric in places but all in all it is a presentable album.
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