Melanie Greenberg's autobiographical cabaret-style show weaves monologue and music into a compelling bildungsroman told with verve, charm, and humor.
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Theater Review (NYC): ‘Swansong’ at the United Solo Festival
Fever-pitched and fully rounded, Andre de Vanny's performance in Conor McDermottroe's one-man play takes us on a dark ride of the heart and lands a punch right in the gut.
Read More »Theater Review (NYC): ‘All in Good Time’ by Tulis McCall
Because her piece centered around the inevitability of aging, men, women, young and old found her raucous insights spot-on. Without a doubt, McCall's one-woman show remains the finest I have seen in the solo performance category.
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