Rock and roll is alive and well - and didn't need a Zeppelin clone to prove it in 2018.
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Music Review: Stile Antico – ‘In a Strange Land: Elizabethan Composers in Exile’
The latest album from the celebrated English early music vocal ensemble Stile Antico, 'In a Strange Land: Elizabethan Composers in Exile,' is a beautiful sequence with works by John Dowland, William Byrd, and their contemporaries – and a decidedly melancholy affair.
Read More »Music Video Premiere: Whisperado – ‘Bang One Out’ Lyric Video
Blogcritics premieres Whisperado's new lyric video. 'Bang One Out' is the title track from the NYC roots-rock band's upcoming EP.
Read More »Music Review: Jordi Savall and Le Concert des Nations – ‘Terpsichore’
In France in the early 18th century, minuets, sarabandes, and gigues were written to be literally danced to, sometimes by popular professional dancers. Jordi Savall and Le Concert des Nations recall those days with music by Telemann and Jean-Fery Rebel.
Read More »Music Review: Ignacio Berroa – ‘Straight Ahead from Havana’
This memorable set from Dizzy Gillespie's longtime drummer is one of the best small-group jazz albums of recent vintage, full of rhythmic play and meaty assertiveness with a Latin lilt.
Read More »Music Review: Pale Mara – ‘Pale Mara’ LP
If you pine for the heady days of Joni Mitchell and Poco, then Pale Mara should soothe your soul.
Read More »Music Review: Kate Mullins Drops ‘Three Songs’ EP
'Three Songs' by Katie Mullins is not to be missed. It’s glorious!
Read More »Music Review: Hemhora and the Glass Band – ‘Helix Pattern Blues’ EP
With 'Helix Pattern Blues,' Hemhora and the Glass Band provides catchy rhythms and deliciously quirky alt-rock.
Read More »Music Review: David Anderson – ‘Lake Placid Blue’
'Lake Placid Blue' is a gorgeously laid-back album with soft energy and grand lyricism.
Read More »Concert Review: Quodlibet Ensemble – Music by Biber, Martynov + Sharlat
Composer Yevgeniy Sharlat takes Bach's English Suite No. 2 as a starting point, and engineers energetic rhythmic surprises, ear-catching counterpoint, and busy, angsty drama in a prismatic work of accessible modernism.
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