Monday , March 4 2024
While the English choir applies a constant smooth tonality to its performances, these can still feel fresh, the centuries-old music almost as much as the recent.

Music Review: Stile Antico – ‘Sing With the Voice of Melody,’ Early Music Polyphony Choir’s 10th Anniversary Favorites

stile antico sing with the voice of melody renaissance polyphonyWhen a musical group reaches its 10th anniversary, as the 12-member London polyphony choir Stile Antico has done, an album of the members’ own favorites seems fully justified. This month Harmonia Mundi releases the English choir’s Sing With the Voice of Melody, a “choice selection of [the members’] personal favourites, drawn from five centuries of glorious repertoire.”

The 12 tracks of (mostly) Renaissance polyphony include pieces by well-known composers like Thomas Tallis, William Byrd, and Tomás Luis de Victoria. They range from works of straightforward harmony like Jacobus Clemens non Papa’s “Ego flos campi” to some, like Byrd’s brief but complex Gradualia motet “Ecce virgo concipiet,” more demanding of the listener but at least as rewarding – it’s among the most beautiful of the pieces here.

There are longer dramas as well. Nicolas Gombert’s “Magnificat primi toni” which alternates polyphony and plainchant, like Allegri’s Miserere Mei Deus, and Tallis’s “Gloria (Missa Puer natus est).”

There’s one modern piece, John McCabe’s setting of “Woefully Arrayed,” a text better known from William Cornysh’s Renaissance version. McCabe, who died earlier this year, melds modernist dissonance, angularity, and repetitions with baroque colors and textures to create a piece that sounds like a lot of fun both to sing and to hear in concert.

As Andrew Griffiths writes in the liner notes of “Ego flos campi,” “Stile Antico must have performed this piece at least eighty times, but it never loses its freshness or allure.” And it’s true that while Stile Antico applies a constant smooth tonality to its performances, even in a studio recording these can still feel fresh, the centuries-old music almost as much as the recent.

[amazon template=iframe image&asin=B00VAPIJPC][amazon template=iframe image&asin=B00JS3Y9LG][amazon template=iframe image&asin=B008ULR0G8]

About Jon Sobel

Jon Sobel is Publisher and Executive Editor of Blogcritics as well as lead editor of the Culture & Society section. As a writer he contributes most often to Music, where he covers classical music (old and new) and other genres, and Culture, where he reviews NYC theater. Through Oren Hope Marketing and Copywriting at you can hire him to write or edit whatever marketing or journalistic materials your heart desires. Jon also writes the blog Park Odyssey at where he is on a mission to visit every park in New York City. He has also been a part-time working musician, including as lead singer, songwriter, and bass player for Whisperado.

Check Also

The Gesualdo Six, 17 February 2024, Church of St. Mary the Virgin, NYC

Concert Review (NYC): The Gesualdo Six Turn Grief Inside Out with ‘Lux Aeterna’

The British a cappella sextet sang baroque and contemporary music that touched on death and grieving but also love and redemption.