The Gesualdo Six, a superb young choir, brought their program of music from the golden age of English polyphony to Times Square with music of William Byrd, Thomas Tallis and more.
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Music News: Relaunched Orpheus Records Reissues Classical and Early Music Albums from Its Historic Catalog
Orpheus Records, the label of the old Musical Heritage Society, returns with reissues from its storied catalog.
Read More »Concert Review (NYC): The Open Gates Project – C3: Countertenors, Continuo, and a Consort of Viols (11 February 2022)
The project devoted to diversity in early music presented not one, not two, but four countertenors of color in its second concert.
Read More »Concerts in the Catacombs: Andrew Ousley on His Green-Wood Cemetery Chamber Music Series
"I believe strongly that what my generation expects out of the concert experience is something very different from what Lincoln Center and Carnegie Hall offer."
Read More »Concert Review: Les Délices Finds the Links Between Baroque and Jazz (NYC, 23 Feb 2019)
The early music group illuminated the consonances between jazz and baroque music and had a good deal of fun doing it.
Read More »Concert Review: Boreas Quartett Bremen and Han Tol – ‘Il flauto magico’ (NYC, 27 January 2019)
The concert featured a closetful of varied recorders, most copied from original instruments of the Renaissance and Baroque periods.
Read More »Music Review: Stile Antico – ‘In a Strange Land: Elizabethan Composers in Exile’
The latest album from the celebrated English early music vocal ensemble Stile Antico, 'In a Strange Land: Elizabethan Composers in Exile,' is a beautiful sequence with works by John Dowland, William Byrd, and their contemporaries – and a decidedly melancholy affair.
Read More »Concert Review: Four Nations Ensemble and Sherezade Panthaki – ‘Fête Galante’ (NYC, 17 May 2018)
The music of the Fête Galante-era composers like Jean-Marie Leclair counteracted the grand style of their predecessors, just as Watteau's paintings of regular people enjoying simple pleasures in the outdoors contrasted with the heavy subject matter of the art he'd grown up with.
Read More »Concert Review: Tenet – ‘Music of the Trouvères’ (NYC, 11 May 2018)
The contemporary folk music scene and the Early Music scene intersect more than you might think. The Early Music ensemble Tenet proved it decisively with this program, demonstrating such sublime musicianship that I hope they preserve it for future concerts and in a recording studio.
Read More »Concert Review: New York Polyphony – ‘Tallis Lamentations’ (NYC, 24 Feb 2018)
The a capella singers presented a succinct, enlightening survey of Thomas Tallis's groundbreaking 16th-century music. The concert also offered a reminder of why the composer's best-known works, such as the 'Lamentations,' remain popular after more than four centuries.
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