The Clarion Choir makes a crowning statement with this beautifully recorded album of Rachmaninoff's great setting of Eastern Orthodox liturgical texts.
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Concert Review: TENET Vocal Artists – Motets of J.S. Bach (NYC, Sept. 18 2022)
TENET Vocal Artists demonstrated that Bach's motets are as uniquely, miraculously Bach as anything else he wrote for the human voice.
Read More »Concert Review (NYC): ‘Mass for the Endangered’ by Sarah Kirkland Snider at the Green-Wood Cemetery Catacombs, Brooklyn (14 June 2022)
Death of Classical began its new season of concerts in the Green-Wood Cemetery Catacombs with a spectacular piece for chorus and small orchestra.
Read More »Music Review: The Saint Tikhon Choir – ‘Benedict Sheehan: Vespers’
A new choral setting of the Orthodox Church Vespers is one of the most gorgeous albums of the past year.
Read More »Theater Review (NYC): ‘Icons/Idols: In the Purple Room’ from the Byzantine Choral Project
Wonderful music and atmospheric, immersive sets make Icons/Idols: In the Purple Room a compelling step toward live theater's return.
Read More »Music Reviews: Cappella Romana – ‘Hymns of Kassianí,’ the Earliest Known Female Composer; Plus New York Polyphony and The Crossing
Three new albums span more than a millennium of choral music, from the Byzantines to the 21st century.
Read More »Music Review: Stile Antico – ‘In a Strange Land: Elizabethan Composers in Exile’
The latest album from the celebrated English early music vocal ensemble Stile Antico, 'In a Strange Land: Elizabethan Composers in Exile,' is a beautiful sequence with works by John Dowland, William Byrd, and their contemporaries – and a decidedly melancholy affair.
Read More »Music Reviews: Vox Clamantis – ‘Sacrum Convivium’; The Crossing – ‘Zealot Canticles’ by Lansing McLoskey
The monks retreated behind stone walls to chant their devotions. Composer Lansing McLoskey stands in the agora with his choral music on writings by Wole Soyinka.
Read More »Concert Review: Profeti della Quinta Sing Monteverdi and Salomone Rossi (NYC, 23 Feb 2017)
This exquisite vocal group puts on energetic, high-spirited concerts that free the ancient music of the Renaissance from the museum and dance it out into the town square.
Read More »Concert Review: MasterVoices – ‘The Saint John Passion’ by Bach at Carnegie Hall (NYC 9 Feb 2017)
The soloists shone both separately and in concert, as if distilling the work of the huge chorus behind them. I didn't want the penultimate piece, "O Sleep," sung by the chorus and then the soloists in counterpoint, to end.
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