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Daniel Dickinson is a newcomer to the music scene, though he plays with the instincts of a seasoned performer and the nimbleness of an astute artist who knows his craft inside and out.

Music Review: Daniel Dickinson – ‘A Gathering Foretold’

Daniel Dickinson is a member of a burgeoning generation of contemporary jazz practitioners whose enthusiasm is contagious and imaginative phrasing on the saxophone rouses audiences’ attention. His latest offering, A Gathering Foretold, is a collaborative effort between Dickinson and his fellow band mates. Their contemporary sensibilities are evident in the fluency of their exchanges and nimbleness of their banter. The audience is chiefly a spectator, observing the kinetic activity being exercised among the performers.

Daniel-DickinsonSeveral numbers resemble a jam session-style exercise, including “Exodus” and “Noumenal World,” as Joshua Bowlus’ doodles on the piano intermingle with the crescendos of the horns comprised of Dickinson’s sax, Michael Dease’s trombone, Mercedes Beckman’s baritone sax, Alphonso Horne’s trumpet, and Juan Rollan’s tenor sax. The rhythm section of Reuben Rogers’ acoustic bass and Ulysses Owens, Jr.’s drums keep the tempo at a frolicking pace. The dynamic exchanges invite audiences to experience the group’s vigor and animated movements, as band members exert an unadulterated nimbleness that is youthful in spirit and kindred in nature.

The musicians’ rapport show a compatible connection in “Redemption,” as the improvised phrasing of Barry Green’s guitar is interlaced with the freestyle meandering of the horns. The musicians reach out to one another in the title track, co-mingling and socializing on a melodic plane. Audiences can appreciate their banter on an aural level. “Voyage to Somewhere” and “Darn That Dream” exude a soothing aura as the mellow tones of the piano and horns create a balmy atmosphere. The pleasing aesthetics of both are designed for audiences’ enjoyment.

Daniel Dickinson is a newcomer to the music scene, though he plays with the instincts of a seasoned performer and the nimbleness of an astute artist who knows his craft inside and out. His choice of band mates proved to be compatible with his liking for improvised music, showing a fondness for contemporary jazz that they share with audiences.

Musicians:
Daniel Dickinson – saxophone, Christian Sands and Joshua Bowlus – piano, Michael Dease – trombone, Ulysses Owens, Jr. – drums and producer, Barry Greene – guitar, Reuben Rogers – acoustic bass, Mercedes Beckman – baritone saxophone, Alphonso Horne – trumpet, Juan Rollan – tenor saxophone

Tracklisting:
“Cry of the Wolf,” “Dandelion Wine,” “Ex Nihilo,” “Exodus,” “Noumenal World,” “Redemption,” “Number of Completion,” “A Gathering Foretold,” “Voyage to Somewhere,” “Yes or No,” “Darn That Dream”

About susanfrancesny

Born in Brooklyn, New York and raised in eastern Long Island, I always enjoyed writing and made several contributions to my high school literary magazine, The Lion's Pen. Influenced by writers of epic novels including Colleen McCullough and James Clavell, I gravitated to creative writing. After graduating from New York University with a BA in Liberal Arts, I tried my hand at conventional jobs but always returned to creative writing. Since 1998, I have been a freelance writer and have over three thousands of articles to various e-zines including: Yahoo Voices, Goodreads.com, Authors and Books (books.wiseto.com), TheReadingRoom.com, Amazon.com, Epinions.com, Fictiondb.com, LibraryThing.com, BTS emag, BarnesandNoble.com, RomanticHistoricalReviews.com, AReCafe.com, Hybrid Magazine, and BookDepository.com. In 2013 and 2014, I was a judge in the Orange Rose Writing Competition sponsored by the Orange County chapter of the Romance Writers of America located in Brea, California.

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