Arts

A 19-year-old Emily Dickinson, teamed with Edgar Allan Poe, is the last line of defense between the everyday and a world of magic, ghosts, and vampires.

The Bride of Frankenstein, as all classic horror and monster fans know, is the 1935 sequel to Frankenstein, directed by James Whale and starring an ethereal Elsa Lanchester in dual roles as the Bride and Mary Shelley, and Boris Karloff as the Monster. Why? Because the Monster demanded a mate!

For scale, complexity, and sheer extravagance, Austin McCormick's dance-theater troupe is hard to beat. Its new 'Snow White' is a marvel of acrobatics, burlesque, glorious dancing, and intriguing characters.

The 'eminence grise' of Early Music led the Juilliard School's main Early Music group in an crowd-pleasing concert with readings, all in tribute to the music of the time of Shakespeare and Cervantes.

What do artichoke pizza and The American Dream have in common?

The Olivier Award-winning cabaret singer tells us about her creative process, her collaboration with novelist Paolo Coelho and a raft of international musicians on 'The 9 Secrets,' life on the road, and the Blizzard of 2016 in New York.

Should we take a stand against laws that are unjust? Are unjust laws even to be honored as laws?

Is your humanity an everpresent mystery to you? In Walt Whitman's world, this was something to "sing" about.

First produced by Dublin's legendary Abbey Theatre 11 years ago, the Nobel Prize winner's play strips Sophocles' cautionary tale of honor and overreach to its dramatic core.

Do women control men and get them to "do" things beyond a man's power to say no to them?