Plus Adam Lambert, The Who, Smash Mouth, Toad the Wet Sprocket, Esperanza Spalding, The Kentucky Headhunters, Nashville Pu$$y and more.
Read More »Jon Sobel
Theater Review (NYC): ‘Doruntine’ from Blessed Unrest and Kosovo’s Teatri ODA Brings Albanian Legend to Life – and Death
The opportunity to see this well-acted, smoothly written, excitingly staged, and chilling work of cultural blending is the kind of thing for which we can be grateful.
Read More »Grateful Dead 50th Anniversary Commemorated on Stage, on Screen, and on the Page
The Dead played their first documented concert at Magoo's Pizza Parlor on May 5, 1965.
Read More »Theater Review (NYC): ‘The Belle of Belfast’ by Nate Rufus Edelman
The Irish Rep presents a new play that's old-fashioned in the best way, a funny, sad, affecting and deep tale of forbidden passion and survival amid senseless violence.
Read More »Concert Review: The American Classical Orchestra and Chorus with Soprano Hana Blažiková (NYC, 4/21/15)
Earthly Love and Celestial Love battle for the soul of Mary Magdalene in Caldara's rarely performed oratorio 'Maddalena ai piedi di Cristo.'
Read More »Music Review: Shelby Lynne – ‘I Can’t Imagine’
Lynne draws on a variety of pop-music traditions to create a poetic and acoustical world all her own.
Read More »Theater Review (NYC): ‘Golondrinas (Swallows)’ by Aminta De Lara
A terrible past is revealed as two estranged sisters deal with a death in the family amid street protests in Venezuela.
Read More »Theater Review (Broadway): ‘An American in Paris’
The new musical proves that Broadway and the ballet are friends, and that even if we can't have a new George Gershwin or Leonard Bernstein, the originals can still energize today's biggest stage talents and please finicky audiences.
Read More »Theater Review: ‘Hamlet’ Starring Peter Sarsgaard at Classic Stage Company, Directed by Austin Pendleton
CSC's new production emphasizes the psychological depths in Shakespeare’s classic story of murder, indecision and revenge.
Read More »Theater Review (NYC Off-Off-Broadway): ‘Salvage’ by August Schulenburg
Skillful writing, perfect casting, topical timeliness, and fine creative teamwork make 'Salvage' one the very best efforts in Flux Theatre Ensemble’s nine-year history of fine productions.
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