This taut, anxiously intellectual drama baffles expectations and boasts marvelous performances.
Read More »Jon Sobel
Theater Review (NYC): Honey Fist by August Schulenburg
This implausible by satisfying story concerns a group of buddies who resent their old friend making movies based on their lives.
Read More »TV Review: The Good Wife – “What’s in the Box?”
Season 4 wrapped up with a satisfying mix of conclusions, surprises, shakeups, and setups for the next round.
Read More »Theater Review (NYC): Scrambled Eggs
Turning your life into a play is a dangerous game – dangerous for audiences, that is. But Scrambled Eggs is a deliciously prepared comedy omelette.
Read More »Music Review: Breaking Laces – Come Get Some
An ironic awareness earns this Brooklyn band its serious moments on this fine disc.
Read More »TV Review: The Good Wife – “A More Perfect Union”
One of the season's best episodes finds Alicia facing a major life choice.
Read More »Music Review: Paula Cole – Raven
Cole has evolved a strong vocabulary of smartly constructed adult pop that's eminently accessible yet all her own.
Read More »The Child Ballads: Anaïs Mitchell and Jefferson Hamer Reboot Centuries-Old Songs
New recordings of old English and Scottish ballads prove there's life in the old lays yet.
Read More »TV Review: The Good Wife – “Rape: A Modern Perspective”
A ripped-from-the-headlines storyline about a rape and its consequences can't hold a scattered episode together.
Read More »Theater Review (NYC): Julius Caesar (The Royal Shakespeare Company)
Re-imagined in modern-day West Africa, Shakespeare's great Roman tragedy feels like an astounding new work.
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