A classically trained singer and an electric guitarist reimagine 17th-century songs by Monteverdi, Purcell and more in singer-songwriter style.

Antonio Vivaldi wasn't the only composer to find inspiration in the changing seasons. Astor Piazzolla's 'Four Seasons of Buenos Aires' was a revelation at the Mostly Mozart Festival.

Company XIV's spangly, turbocharged dance aesthetic, as energetic and psychedelic as ever, is all the more immersive in the company's own Brooklyn nightclub-theater.

A new musical takes a new look at the extra-biblical legend of Lilith, Adam's rebellious first wife.

Miranda Haymon's dramatization of Franz Kafka's short story aims to adapt Kafka's conceptual horror to present-day racist mass incarceration.

A polished new musical reveals the stories of the female convicts sent to the Australian colony in the 18th and 19th centuries.

This modern open-air retelling of the ancient Greek drama weaponizes Euripides with rock and rap, dance beats, and sensuous choreography.

'That's Not Tango' and the Neave Trio at Lincoln Center declare July the season for the music of the great Argentine tango nuevo composer Astor Piazzolla.

The Angel's Share live music series has been drawing adventurous listeners to the Green-Wood Cemetery Catacombs for a couple of seasons now. It's no freak show.

Reuel is a virtuoso pianist and classical-crossover and EDM artist whose most recent album leads off with a radical reimagining of the Beethoven favorite 'Für Elise.'