Nearly six decades into his career, Ayckbourn maintains his sure touch on both the page and the stage, while his depictions of the long view of life continue to deepen. Brilliantly written and beautiful acted, his new time-shifting masterpiece engages both heart and mind.
Read More »Jon Sobel
Music Reviews: Jazz Albums from Takaaki, Jane Ira Bloom, Roy McGrath
New jazz albums with tie-ins to poetry, Puerto Rico, and Gustav Holst's 'The Planets'
Read More »Theater Review (NYC Off-Broadway): ‘It Came from Beyond,’ a Smart Musical Homage to ’50s Kitsch Sci-Fi
With an excellent cast and sharp direction and choreography, this sci-fi homage is a happy marriage of clever nostalgia, shiny new music, and sheer fun for just about any age.
Read More »Theater Review (NYC): ‘Chess’ at the Gallery Players
Rather than rehashing what's wrong with 'Chess,' I'll describe why it's still possible to enjoy the Gallery Players' production. The music is perhaps the most advanced artistic evolution of glossy '80s pop. And while I'm sure there are some curmudgeons out there who weren't fans of ABBA's sunny sound, Andersson and Ulvaeus were brilliant songwriters, master craftsmen not only of shiny dance tunes but also of lovely songs of love and loss.
Read More »Book Review: ‘Everything is Borrowed’ – a Novel by Nathaniel Popkin
Plagued by indecision about the design of his new commission, an architect continually puts off committing to anything, in favor of obsessively researching the former inhabitants of the neighborhood.
Read More »Concert and CD Review: Trio Vitruvi – U.S. Debut and Album Release (Carnegie Hall, NYC, 17 April 2018)
The young Danish piano trio makes a smashing U.S. concert debut upon the release of their first album, with music by Schubert, Shostakovich, and Dvořák.
Read More »Concert Review: Jazz Pianist Eliane Elias at Birdland (NYC, 13 April 2018)
The Brazilian pianist is a master of infusing improvisational virtuosity into the spirit of a song, whether's it's by Jobim or The Doors, an original, or a Broadway classic from 'Man of La Mancha.'
Read More »Concert Review: Fretwork – ‘J.S. Bach – The Art of Fugue’ (NYC, 12 April 2018)
Bach's contrapuntal masterpiece took flight in the hands of one of the world's premiere viol consorts.
Read More »Music Review: Jordi Savall and Hespèrion XXI: ‘Musica Nova: Harmonie Des Nations 1500-1700’
The celebrated musician-scholar and eminence grise of the viol offers representative pieces of what can be broadly termed the "Musica Nova" movement of the 16th and 17th centuries in Italy, France, England, Germany, Spain, and Portugal. But you don't need experience with or knowledge of early music to appreciate the beauty, and the consummate expertise, of these performances.
Read More »Theater Review (NYC): ‘[title of show]’ at the Secret Theatre
With just four chairs and a keyboard director Scott Guthrie leads a full-tilt cast of five crisply through the sharp and funny series of twists and turns that make this epitome of self-referential shows shine.
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