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Good performances and a solid production help to compensate for the show's rather weak score.

Theater Review (San Antonio): ‘Carrie: the Musical’ at the Woodlawn Theatre

Carrie: the Musical at the Woodlawn Theatre
Elise Pardue (Carrie) and Rebecca Trinidad (Margaret)

The curiosity factor is high when it comes to Carrie: the Musical, whose status as a legendary flop still resonates. Its 1988 Broadway debut was met with scathing reviews, and it closed after only five performances with a loss of $7 million. Since then, it’s been revised, retooled and updated, but the question remains — “What’s wrong with Carrie?”

The Woodlawn Theatre is hoping to answer that question with a production that preserves the essence of the story while peppering the script with modern references to texting and selfies. The familiar cast of characters is here — good girl Sue Snell (Megan McCarthy) and her all-star boyfriend, Tommy Ross (Cody Jones); mean girl Chris Hargensen (Alison Hinojosa) and her asshole boyfriend Billy Nolan (Walter Songer); Chris’s stooge, Norma (Tamara Brem); the compassionate gym teacher, Miss Gardner (Katie Benson); and, of course, Carrie White (Elise Pardue) and her fanatical mother, Margaret (Rebecca Trinidad).

As directed and choreographed by Christopher Rodriguez, Carrie looks and sounds good. Benjamin Grabill’s utilitarian set properly evokes a high school gymnasium, with sections of Carrie’s house on either side serving as backdrops for key scenes at home. The five-piece band, ELISE PARDUEunder the direction of Josh Pepper, sounds great — and the vocal performances are fine.

The problem lies within composer Michael Gore and lyricist Dean Pitchford’s score. When you’re working with such familiar territory as Stephen King’s horror classic, you really need to bring your A-game. Alas, among the 20 songs in the show, only five or six really resonate. Too many seem to be treading water, as if they exist merely to fulfill the qualifications of a musical. And since special effects onstage are limited out of necessity, even more pressure is put on the performances to convey the drama.

Here again is where Rodriguez’s production comes through. Pardue is fine as Carrie, morphing from timid geek to self-assured young woman with exceptional powers. Hinojosa and Songer are perfect as the high school couple you love to hate, and McCarthy and Jones effectively represent the other side. Benson brings a lot of heart to the role of Miss Gardner, but it’s Trinidad who really stands out as Margaret White. It certainly doesn’t hurt that some of the best songs in the show are given to her, and she delivers them with the emotion and ferocity that the piece needs much more of.

Carrie: the Musical plays Fridays and Saturdays at 7:30 p.m. and Sundays at 3 p.m. through November 9 at the Woodlawn Theatre, 1920 Fredericksburg Road, San Antonio 78201. Tickets can be acquired online or by calling (210) 267-8388. There will also be a teen version of the show playing October 26-28 at 8 p.m.

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About Kurt Gardner

Writer, critic and inbound marketing expert whose passion for odd culture knows no bounds.

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