Friday , May 17 2024
the dark outside theater for the new city
"The Dark Outside" by Bernard Kops, directed by Jack Serio, presented by Theater for the New City. L-R: Austin Pendleton, Katharine Cullison, Kathleen Simmonds, Brenna Donahue, Jesse McCormick. Photo by Emilio Madrid.

Theater Review (NYC): ‘The Dark Outside’ by Bernard Kops

Elevated language can enhance and sharpen a drama’s power to hold a mirror up to nature. Or it can just sound stilted and unnatural. The latter is the case in The Dark Outside, now in its world premiere production at the venerable Theater for the New City.

The latest stage work by British playwright Bernard Kops focuses on a family whose members, in spite of individual woes, live in a dreamland of unconditional love when they’re together. The occasion is the birthday of paterfamilias Paul (the venerable Austin Pendleton). Recently injured and having lost the use of an arm, he’s coddled endlessly by his wife Helen (Katharine Cullison). The couple express boundless treacly love and affection as they anticipate the arrival of their three grown children.

Their relationship lacks the nuance that makes fictional characters feel real. The awkward and unconvincing dialogue gives these accomplished actors little to work with, a problem that extends through almost the whole long one-act. The unfocused and, frankly, boring production leads me to conclude that the nonagenarian playwright cannot be at the height of his powers.

As I’ve pointed out more than once in past reviews, family reunions are a favorite way for dramatists to set up a riot of revelations. While predictable, the trope can pay big dividends. But here the cast can’t fight their way through their imprecisely elevated dialogue to make the relationships among the parents and children seem real, or to invest us in their troubles.

The one exception is a scene in which younger daughter Sophie (Brenna Donahue) confesses to her sister Penny (Kathleen Simmonds) the traumatic circumstances of her dropping out of college. Sophie’s speech reaches poetic heights and, delivered though the evening’s only compelling performance, bring a sense of relief that something worthy of note is finally happening. Here and only here, Kops’ elevated language actually elevates.

“The Dark Outside” by Bernard Kops, directed by Jack Serio, presented by Theater for the New City. Kathleen Simmonds and Brenna Donohue. Photo by Emilio Madrid.

But the story quickly lapses into its former blandness. The parents’ reaction to the segment of Sophie’s story that they hear makes no sense, and the action resumes in as affectless and unconvincing a manner as before.

There’s much talk of and recitation of poetry along the way, along with the singing of old political and childhood songs as the generations reminisce. But these evocations don’t round out the characters as we see them. Instead they feel more like snippets of a writer’s fond memories of youthful encounters with art and other weighty matters.

“Things fall apart, the centre cannot hold,” declares Paul, deploying the most overused of Yeats quotes to bewail his neighborhood’s descent into violence. But evoking poets like Yeats and Garcia Lorca does no favors to dialogue that includes lines like these, from Paul to his beloved: “Sometimes I see you in the middle of the night looking out the window. Kids are dying out there. Poor little kids who do nothing, have done nothing, will do nothing.” Dialogue like that works only amid a heightened theatricality that’s absent in the production. Meanwhile, the “darkness outside” referenced in the title offers zero sense of menace, merely mentioned a few times and then forgotten.

Death may be closing in on the aging father, but the play as written, directed, and performed explores no such profundities. Troubles and threats are rarely shown or felt, except for Sophie’s. “It’s this bloody world that causes all the pain,” Helen says near the end. “We’ll all come out of this, we’ll all be happy again.” But how are Helen and Paul unhappy? We have to remind ourselves that Sophie has been through trauma; that her brother Ben’s (Jesse McCormick) wife has left him and taken their small children; and that Paul’s arm is busted.

There’s no indication that Helen actually feels or understands her family’s troubles. The same goes for Paul. “What wonderful girls we’ve created,” he moons as his daughters take their leave. If that’s the only lesson he has learned, why have we spent an evening with him?

The Dark Outside is at Theater for the New City through November 28.

About Jon Sobel

Jon Sobel is Publisher and Executive Editor of Blogcritics as well as lead editor of the Culture & Society section. As a writer he contributes most often to Music, where he covers classical music (old and new) and other genres, and Culture, where he reviews NYC theater. Through Oren Hope Marketing and Copywriting at you can hire him to write or edit whatever marketing or journalistic materials your heart desires. Jon also writes the blog Park Odyssey at where he is on a mission to visit every park in New York City. He has also been a part-time working musician, including as lead singer, songwriter, and bass player for Whisperado.

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