Wednesday , April 24 2024
Richard Saudek in 'Dead + Alive'
Richard Saudek in 'Dead + Alive' (photo credit: Russ Rowland)

Theater Review (NYC): ‘Dead + Alive’ – a Comic, Macabre Clown Show

Comedy. Juggling. Music. The macabre. All mingle in Dead + Alive, the darkly riotous clown show now at the historic Connelly Theater.

Richard Saudek stars in this inspired piece of vaudevillian theater with a seemingly unlikely inspiration. A Jewish burial custom assigns a guardian to keep watch over the body of a recently deceased person so their soul doesn’t escape and terrorize the living as a dybbuk. For most of the show Saudek with bitter brilliance plays a corpse. Body stiff and subject to manipulation, mouth stretched into a ghastly rictus – comedy gold, no?

But hasn’t Death, with all its fear and wonder, always entertained and animated us as much as it has broken and flummoxed us? Think of Day of the Dead in Mexico. Zombie comedy movies. All the jokey ghosts and dancing skeletons we see on Halloween.

Dead + Alive begins as a nearly wordless sequence of old-fashioned comedy-duo slapstick and classic clown routines. Then something unexpected occurs, and the dynamic between Saudek and fellow actor-juggler-clown Dana Dailey rapidly evolves through stages of disbelief and mourning. A corpse reanimates in excruciating physical-comedy detail. A horror-movie spider scene plays out in crypt-like gloom. The small company juggles pins and hoops in choreographed dances.

Sound + Vision

The corpse even breaks its silence to sing a song from beyond (actually from inside) the grave. Aside from that, the “story” is almost entirely mimed. But quiet it is not. As important and entertaining as the clowns on stage is musician-clown Benjamin Domask-Ruh. He bangs away at a honky-tonk piano that’s in deliciously ill repair; strums a tiny banjo; supplies timed sound effects with percussion and a theremin; and contributes bits of comedy business himself. Recorded sound cues add darker elements to the auditory landscape.

'Dead + Alive' juggling
Photo credit: Russ Rowland

Dailey is compelling as mourner as well as sidekick and foil, embodying the sad-clown persona without the need for clown makeup. Pher, who co-directed with Saudek, cameos with lanky energy and juggling prowess. Still, the show’s focus and fulcrum remains Richard Saudek, on whose sharply honed and fine-tuned physical comedy skills it rests. Together they remind us that in a world of troubles, we the living need some clowning – be it alive or dead.

Dead + Alive is a production of One Year Lease Theater Company (OYL). It’s at NYC’s Connelly Theater, on the Lower East Side, through Dec. 10. Tickets are available online.

About Jon Sobel

Jon Sobel is Publisher and Executive Editor of Blogcritics as well as lead editor of the Culture & Society section. As a writer he contributes most often to Music, where he covers classical music (old and new) and other genres, and Culture, where he reviews NYC theater. Through Oren Hope Marketing and Copywriting at you can hire him to write or edit whatever marketing or journalistic materials your heart desires. Jon also writes the blog Park Odyssey at where he is on a mission to visit every park in New York City. He has also been a part-time working musician, including as lead singer, songwriter, and bass player for Whisperado.

Check Also

Helen. featuring Lanxing Fu, Grace Bernardo, and Melissa Coleman-Reed (photo by Maria Baranova)

Theater Review: ‘Helen.’ by Caitlin George – Getting Inside Helen of Troy

In this compelling new comedy Helen of Troy is not a victim, a pawn, or a plot device, but an icon of feminist fortitude.