Thursday , February 22 2024
A staged lecture on the life of Shakespeare, rhapsodically delivered by the noted Shakespearean and film actor Simon Callow.

Theater Review (NYC): ‘Being Shakespeare’ with Simon Callow at BAM

Oxford English professor Jonathan Bate isn’t a playwright, and his Being Shakespeare, now in a brief run at the BAM Harvey Theatre, isn’t a play, despite being billed as such. It’s hard to fault the producers for this mild subterfuge; nowadays, how could you draw large audiences to anything called a lecture? But that’s what this is, a staged lecture written by Prof. Bate, artfully directed and designed by Tom Cairns, and rhapsodically delivered by the noted Shakespearean and film actor Simon Callow.simon-callow-being-shakespeare

Fittingly, Mr. Callow, also a respected writer, is at work on a multivolume biography of Charles Dickens, who drew New World crowds to his famous lectures. In Dickens’s day, cultural stars energized a thriving lecture circuit unknown today, providing the masses with much-sought-after entertainment. Being Shakespeare, a somewhat speculative recounting of the mysterious life of William Shakespeare draped on the famous “seven ages of man” speech from As You Like It and illustrated with apropos passages from many of Shakespeare’s works, does entertain.

The effective atmospherics arise in particular from Bruno Poet’s magnificent lighting, which combines with evocative shadow-projections to establish mini-settings for Mr. Callow’s tales of Will’s birth, childhood, adolescence, early and mature career in the theater, and death, as well as his quotations from various plays. The script elides some of the greater mysteries of Shakespeare’s shrouded biography, such as the lack of knowledge of what he did through much of his 20s. It acknowledges but then dispenses with the unceasing speculations about whether he really wrote the plays that bear his name, making a shallow but sensible case for authorship by the middle-class glovemaker’s son from Stratford-on-Avon through amusing and touching descriptions and dramatizations of young Will’s schooling in grammar and rhetoric, his youthful activities in the leather trade, his mourning the death of his only son from the plague, and so on.

This regular-fellow life, says Bate, forms the raw material from which Shakespeare conjured royal courts, enchanted forests, and foreign lands. But making the case for Shakespeare’s authorship isn’t the central purpose of this presentation. Rather it’s to raise the dim facts of the Bard’s life into sharper relief, to bring his world alive. Arriving in London to better his fortune and try and shake off the shame of his father’s growing debt troubles, young Will makes his way to the theater, where people arrive “on foot, or by boat, but if you could possibly afford it you’d go on horseback or in a carriage. Somebody had to look after the horses. Step forward, William Shakespeare. 500 years later he’s have valet-parked your car for you. Little by little, he finds himself drawn in…”

Callow draws us in similarly; he’s the best college professor you ever had, magnified by props, lighting, sound, and staging. The absence of a true story and characters makes the second act a bit of a letdown, as there’s no tension to be released or resolved after the break. But overall it’s quite well done. Callow’s exquisite skill makes his solo-performance of numerous brief scenes, pairing the stages of Shakespeare’s life with corresponding moments in the plays, a joy to watch. A play? Not really. A pleasure? Indeed.

Being Shakespeare runs through April 14 at the BAM Harvey Theater in Brooklyn.

About Jon Sobel

Jon Sobel is Publisher and Executive Editor of Blogcritics as well as lead editor of the Culture & Society section. As a writer he contributes most often to Music, where he covers classical music (old and new) and other genres, and Culture, where he reviews NYC theater. Through Oren Hope Marketing and Copywriting at you can hire him to write or edit whatever marketing or journalistic materials your heart desires. Jon also writes the blog Park Odyssey at where he is on a mission to visit every park in New York City. He has also been a part-time working musician, including as lead singer, songwriter, and bass player for Whisperado.

Check Also

Douglas Sills as Dionysos and Kevin Chamberlin as Xanthias. MasterVoices presents The Frogs, Conducted and Directed by Ted Sperling. Rose Theater, Frederick P. Rose Hall, Jazz at Lincoln Center. Photo Credit: Erin Baiano

Review: ‘The Frogs’ – A Concert Staging of the Stephen Sondheim Musical, Based on Aristophanes

A combination concert performance and staged reading of 'The Frogs' by Stephen Sondheim, based on the Aristophanes play and adapted by Burt Shevelove and Nathan Lane, featured high comedy and wonderful rarely-heard music.