Tag Archives: Brahms

This recording from Yale Schola Cantorum and David Hill presents a sparkling new chamber orchestration by Iain Farrington of Brahms' 'Ein Deutsches Requiem.'

The musicians make technique seem invisible on this wonderful new recording, with Amit Peled playing Pablo Casals's cello in two of the greatest works of the Romantic era.

The venerable original-instruments orchestra presented familiar and seldom-heard works, including Brahms's 'Alto Rhapsody' and music by Schubert and Ferdinand Ries.

The superb musicians of the Chiara offered Pierre Jalbert's fine new String Quartet No. 6 and, with Palmer, Brahms' Clarinet Quintet at the Metropolitan Museum.

Knowing that Eyck conceived and recorded the album for 12" vinyl made even my digital listening experience feel somehow richer – as if I were in the presence not just of new avant-garde music but of the whole weird history of the theremin.

The three musicians did right by Brahms as they played some of the composer's most beautiful and dynamic music for violin, cello, and piano in Brooklyn's floating waterfront concert hall.

Both singer and pianist here display exceptionally soulful (as well as wonderfully compatible) senses of rhythm and timing, and timing is so important in conveying the spirit of these sublime songs.

The impressive (and overdue) New York City debut of a wonderfully accomplished professional ensemble took place in the amenable space of Christ Church United Methodist and featured works for double chorus by Brahms, Gabrieli, and Randall Thompson.

The musicians established their interlocked feels for the ebb and flow of the music right off. With grace and power they brought out the Romantic spirit of the music as well as the proto-Modernism in Brahms's unexpected harmonies and transitions.

Two new recordings of Romantic-era music from France and Germany are revealing in different ways.