Tuesday , October 26 2021

Classical

Music Review: Jordi Savall and Hespèrion XXI: ‘Musica Nova: Harmonie Des Nations 1500-1700’

jordi savall musica nova

The celebrated musician-scholar and eminence grise of the viol offers representative pieces of what can be broadly termed the "Musica Nova" movement of the 16th and 17th centuries in Italy, France, England, Germany, Spain, and Portugal. But you don't need experience with or knowledge of early music to appreciate the beauty, and the consummate expertise, of these performances.

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New Enthusiasm for Eurythmy: Gabrielle Armenier Moves to Illuminate the Human Experience and Creative Process  

Eurythmy produces a performing experience unlike many others; it lures you in to new shores, perhaps a bit like the song of the sirens once captured Odysseus.

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Concert Review: New York Polyphony – ‘Tallis Lamentations’ (NYC, 24 Feb 2018)

New York Polyphony (Chris Owyoung)

The a capella singers presented a succinct, enlightening survey of Thomas Tallis's groundbreaking 16th-century music. The concert also offered a reminder of why the composer's best-known works, such as the 'Lamentations,' remain popular after more than four centuries.

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Interview: Emerson String Quartet on Teaming with Piano Virtuoso Evgeny Kissin for 2018 Concert Tour

Evgeny Kissin in Verbier, 2011 (Ilona Oltuski)

With this special chamber music venture that pairs Carnegie Hall’s darling with a formal string ensemble for the first time, Kissin continues to expand his creative spectrum, broadening his offerings even further, past Jewish poetry recitals and his latest foray into writing and composing.

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Theater Review (NYC Broadway): ‘Farinelli and the King’ with Mark Rylance

mark rylance farinelli and the king broadway

Well played all around, this Shakespeare's Globe production is blessed with the preternaturally naturalistic Rylance, whose severely manic-depressive and sometimes delusional King Philippe V of Spain is both brilliantly imagined and pulsatingly real.

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