The prize-winning composer found surprising commonalities among Jewish musical traditions from around the world as he researched 'Nigunim', which he unveils for New York audiences on July 26.
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Two new albums highlight broad creativity and great virtuosity in the realm of the classical guitar.
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The Oxford Philharmonic played Brahms, Bruch, and Pablo de Sarasate at their Carnegie Hall debut.
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The cellist emerges from pandemic lockdown with a beautiful album of Bach and Brahms.
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A new choral setting of the Orthodox Church Vespers is one of the most gorgeous albums of the past year.
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At almost age 150, the OSNY makes another splendid return to one of the great classics of the oratorio genre.
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The orchestra will perform music by Brahms, Bruch, and Sarasate with featured violin soloist Maxim Vengerov.
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The applause that followed felt almost like an extra musical movement, that's how much I enjoyed hearing it. Why? It signals the continuing robustness of the audience for this great music.
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Haitian art music for piano and cello, and Vivaldi and Piazzolla on mandolin and accordion.
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Who better than the American Classical Orchestra and Chorus to bring us J.S. Bach on period instruments?
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