Brightly inventive in the service of a dim mood, the songs on Beat Circus' 'These Wicked Things' smell of existential desperation. It's one of the cooler albums to cross my transom this year.
Read More »Avant-garde
Concert Review: Cellist Inbal Segev – ’21st Century Women’
New York-based cellist Inbal Segev continues to expand her range. The quality of the music in her latest program ranged from exhilarating to predictable. But her technique and sensitivity revealed all the works in advantageous light.
Read More »Concert Review: Quodlibet Ensemble – Music by Biber, Martynov + Sharlat
Composer Yevgeniy Sharlat takes Bach's English Suite No. 2 as a starting point, and engineers energetic rhythmic surprises, ear-catching counterpoint, and busy, angsty drama in a prismatic work of accessible modernism.
Read More »Concert Review: Quartetto di Cremona at the Frick (NYC, 11 Nov 2018)
This Italian string quartet has developed a tight, fluid ensemble sound as comfortable with the avant-garde as with Boccherini.
Read More »Music Reviews: Vox Clamantis – ‘Sacrum Convivium’; The Crossing – ‘Zealot Canticles’ by Lansing McLoskey
The monks retreated behind stone walls to chant their devotions. Composer Lansing McLoskey stands in the agora with his choral music on writings by Wole Soyinka.
Read More »Music Review: Yoko Ono – ‘War Zone’
You may not 'like every song on 'War Zone' by Yoko Ono, but as with all the best art it will make you think and form an opinion.
Read More »Music Preview: gloryBots – ‘Dark Alien Pop‘
With 'Dark Alien Pop,' gloryBots presents dazzling soundscapes and deliciously soft vocals.
Read More »Music Review: New Music Detroit – ‘Smoke: Music of Marc Mellits’
Who says serious music can't also be fun? Case in point: Marc Mellits's works on New Music Detroit's debut album 'Smoke.'
Read More »Concert Review: Carolina Eyck, Theremin, and Theo Bleckmann, Vocalist (NYC, 2 July 2018)
Theremin virtuosa Carolina Eyck and avant-garde vocalist Theo Bleckmann were at their inventive best in separate sets at (le) poisson rouge in NYC.
Read More »Music Reviews: Guitarist Matteo Liberatore’s ‘Solos,’ Eric Stokes Retrospective ‘The Lyrical Pickpocket’
Matteo Liberatore uses unconventional tools and methods to pluck a variety of jolts and scratches, arpeggio sequences, and melodic and chordal motifs from that most common of instruments, the acoustic guitar.
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