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A greatest hits set from an artist who really didn't have any, Outside Society is far from the definitive overview of Patti Smith's career. However...

Music Review: Patti Smith – Outside Society

If you are looking for the definitive overview of Patti Smith’s legendary career, the just released Legacy Recordings compilation Outside Society is not it. The closest thing out there to that sort of comprehensive retrospective of Smith’s groundbreaking work, complete with prerequisite rare tracks and alternate takes, remains the Land (1975 – 2002) compilation — and that set focuses mainly on her years with Arista Records.

However, as a brief introduction to Patti Smith, Outside Society works well enough as a sampler. You might even call this album a kind of greatest hits set from an artist who really didn’t have any (save for “Because The Night,” the collaboration with Bruce Springsteen that remains her most famous song).

Outside Society (which takes its name from a lyric to her song “Rock And Roll Nigger”) is mostly notable because it draws equally from all phases of Patti Smith’s 35 years as a recording artist. It brings material from both the Arista and Columbia Records eras together for the very first time on a single disc.

The only real complaint here, is that by following the sort of “greatest hits” mentality that apparently went into the making of this collection (despite the active participation of Patti Smith herself), Outside Society really only skims the surface. The way that longer, more expressive pieces like “Birdland” and “Land” (from Patti Smith’s brilliant 1975 debut album Horses), are glossed over in favor of shorter, more radio ready songs is likely to be a disappointment for longtime fans.

It is tone poems like these that helped make Patti Smith’s reputation as punk rock’s original reigning queen of spoken word, stream of consciousness poetry in the seventies. Here, they are overlooked to focus on more traditionally structured rock songs like “Because The Night” and “Summer Cannibals,” as well as her cover versions of songs like Kurt Cobain’s “Smells Like Teen Spirit” and Roger McGuinn’s “So You Want To Be A Rock And Star.” In that respect, Outside Society really only presents one side of this multifaceted artist.

Even so, there is still a lot to like here. Outside Society covers all the bases in terms of being a well rounded collection of the hits. From “Gloria” and “Because The Night” to “Dancing Barefoot” and “People Have The Power,” the song selection does a great job of gathering her career highlights together on a single disc.

Patti Smith’s poetic talents do not go completely unnoticed here either. The inclusion of songs like “Pissing In A River,” “Free Money” and “Aint’ It Strange” accomplishes that trick nicely (if too briefly), as does her blazing performance of “Rock And Roll Nigger” (which is thankfully unedited here). Patti Smith’s gift for interpretation is best showcased here with her version of Cobain’s “Teen Spirit,” which is broken down into a minimalist dirge that is simply spellbinding.

Longtime fans will also appreciate the inclusion of liner notes written by Patti Smith herself, where she offers her own impressions on each of the eighteen songs in this collection. As a career defining anthology, Outside Society is anything but complete. For that, fans would be far better served with Land, or by just picking up a copy of Horses (still her best). But for first timers in search of a quick test drive, you could do a lot worse than this.

About Glen Boyd

Glen Boyd is the author of Neil Young FAQ, released in May 2012 by Backbeat Books/Hal Leonard Publishing. He is a former BC Music Editor and current contributor, whose work has also appeared in SPIN, Ultimate Classic Rock, The Rocket, The Source and other publications. You can read more of Glen's work at the official Neil Young FAQ site. Follow Glen on Twitter and on Facebook.

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