A bilingual Cuban/American production presents the Greek myth through vibrant theater and artful, earthy dance.
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Theater Review (London): Untitled Matriarch Play (or the Seven Sisters) at the Royal Court
A comic but not light piece that the cast of seven women can really get their teeth into.
Read More »Theater Review (NYC): ‘The Designated Mourner’ by Wallace Shawn
Is it any wonder when a solipsistic artists' colony succumbs to a brutal totalitarian power? Shawn's play delves into the lives and deaths of an ineffective highbrow class.
Read More »Theater Review (NYC): ‘The Orpheus Variations’
This fascinating live-action video piece takes theater just about as far as it can go from the pre-electricity era.
Read More »Theater Review (NYC): Nathan Lane in ‘The Nance’ by Douglas Carter Beane
The marvelous Nathan Lane stars in a production that is sheer delight and dark genius.
Read More »Theater Review (NYC): “Geppetto” from Concrete Temple Theatre
This version of the man behind PInocchio is a professional puppeteer who's lost his better half.
Read More »Theater Review (London): “Payback: The Musical” at the Riverside Studios
A thoroughly entertaining if lightweight evening.
Read More »Theater Review (LA): “An Evening of Spolin Games”
What sets this improv troupe apart from others is its exuberance.
Read More »Theater Review (NYC): “The Caucasian Chalk Circle” by Bertolt Brecht
Christopher Lloyd is the wild and wooly Azdak in Brecht's class at CSC in NYC.
Read More »Theater Review (NYC): “The Master Builder” by Henrik Ibsen
BAM's dynamic new version of Ibsen's "The Master Builder," starring John Turturro is a hallmark for its director and cast. Potent production, memorable acting, chilling conclusion.
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