This one-act opera dramatizes the genesis and composition of 'The Tale of Genji.' With emotionally penetrating music and glorious singing, On Site Opera's production has as much to say about our modern world as about ancient Japan.
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Opera Review (NYC): A ‘La Susanna’ for the #MeToo Era at BAM
Heartbeat Opera and Opera Lafayette have devised a superb staged production of the baroque oratorio 'La Susana,' retelling a biblical story of sexual harassment with love, humor, seductive grace, and wonderful music.
Read More »Theater/Opera Review (NYC): Ivo van Hove’s Staging of ‘Diary of One Who Disappeared’ by Leoš Janáček
As operatic theater this staging of Janacek's song cycle by Ivo van Hove falls short. As an opportunity to hear great music performed with dedication and finesse by fine singers, I'll take it.
Read More »Opera/Theater Review (NYC): ‘4.48 Psychosis’ by Philip Venables, Based on the Play by Sarah Kane
Philip Venables' opera based on Sarah Kane's last play, '4.48 Psychosis,' is a raw, energizing dive into the maelstrom of mental illness.
Read More »Operetta Review: ‘The Pirates of Penzance’ from the New York Gilbert and Sullivan Players
With standout voices and vivid numbers, perfectly comedic costumes and musical hijinks, Albert Bergeret's glorious staging made this 'Pirates' a joy from start to finish.
Read More »Exclusive Interview and Video Premiere: Robert Paterson, Composer of Risqué ‘Three Way’ Opera with June NYC Premiere
A dominatrix, an android companion – an opera? 'Three Way' zeroes in on the now and the near future of power and sexuality. Ahead of its NYC premiere, we talk with the composer, and debut a video excerpt.
Read More »Opera Review (NYC): ‘Prince of Players’ by Carlisle Floyd
Floyd's music mixes modernist dissonance with classic lyricism, a recipe that the composer-librettist has mastered and fine-tuned perhaps better than anyone else.
Read More »Theater Review (NYC): ‘A Man of Good Hope’
In one of the show's most emblematic moments, Asad's friends recoil when he sticks to his principles and accepts a cup of tea from a woman of what they see as an inferior clan. This operatic true tale from South Africa of a Somali refugee's harrowing journey of survival resonates ringingly in today's Europe and America.
Read More »Distorted History in ‘Bel Canto’ from Lyric Opera of Chicago
Why does the opera call these educated and thoughtful Peruvian revolutionaries "terrorists"?
Read More »Concert Review: Joseph Keckler (NYC, 6/30/16)
Joseph Keckler, a bass-baritone with a three-and-a-half-octave vocal range, stretches boundaries like a psychedelic dream.
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