This is a production that embraces the surreal, and observes the details of everyday life in loving detail.

Albrecht Durer in his woodcuts crammed a forest of allegorical detail. Andrew Bovell fills his stage with a thicket of ideas and comparisons.

"If there is no pressure from the US on greenhouse gases, China is not going to put pressure on itself."

The 'working women' survive with a mixture of hard-headed calculation, mad dreams, fairy tales that they half-believe, and pure panic.

What will get young audiences through the doors? On this evidence, pure, unadulterated, unpretentious fun.

A seal's imagery would be "read" just as though it were text.

A decade on, Kane’s play, in this production, is even more powerful than when it was written.

If you delight in the traditional game of "spot the avant-garde reference", then you'll find your every competitive desire satisfied.

Euripides was paid five talents for an early piece of what turned out to be hugely effective propaganda.

The recording of the lines on a map marking streets and buildings might seem mechanical, but it is in fact an intensely political, contested process.