Monday , May 20 2024

Jon Sobel

Jon Sobel is Publisher and Executive Editor of Blogcritics as well as lead editor of the Culture & Society section. As a writer he contributes most often to Music, where he covers classical music (old and new) and other genres, and Culture, where he reviews NYC theater. Through Oren Hope Marketing and Copywriting at http://www.orenhope.com/ you can hire him to write or edit whatever marketing or journalistic materials your heart desires. Jon also writes the blog Park Odyssey at http://parkodyssey.blogspot.com/ where he is on a mission to visit every park in New York City. He has also been a part-time working musician, including as lead singer, songwriter, and bass player for Whisperado.

Concert Review: Four Nations Ensemble and Sherezade Panthaki – ‘Fête Galante’ (NYC, 17 May 2018)

Fête Galante: The Anatomy of Melancholy with soprano Sherezade Panthaki and the Four Nations Ensemble with illustrated talks by Tav Holmes at the Italian Academy in New York on May 17, 2018. (COPYRIGHT: Benjamin Chasteen for ASPECT Foundation for Music & Arts)

The music of the Fête Galante-era composers like Jean-Marie Leclair counteracted the grand style of their predecessors, just as Watteau's paintings of regular people enjoying simple pleasures in the outdoors contrasted with the heavy subject matter of the art he'd grown up with.

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Exclusive Interview: Cellist Julian Schwarz on Joachim Stutschewsky and 20th-Century Jewish Music

Cellist Julian Schwarz

"With the rise of worldwide anti-Semitism, it has been difficult for me to program Jewish works. I remember a certain recital when I was asked to remove a suite of pieces by Ernest Bloch for fear of audience distaste."

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Concert Review: Tenet – ‘Music of the Trouvères’ (NYC, 11 May 2018)

trouveres

The contemporary folk music scene and the Early Music scene intersect more than you might think. The Early Music ensemble Tenet proved it decisively with this program, demonstrating such sublime musicianship that I hope they preserve it for future concerts and in a recording studio.

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Theater Review (NYC Off-Broadway): ‘A Brief History of Women’ by Alan Ayckbourn

From left, Frances Marshall, Antony Eden and Louise Shuttleworth in A Brief History of Women. Image © Tony Bartholomew

Nearly six decades into his career, Ayckbourn maintains his sure touch on both the page and the stage, while his depictions of the long view of life continue to deepen. Brilliantly written and beautiful acted, his new time-shifting masterpiece engages both heart and mind.

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Theater Review (NYC): ‘Chess’ at the Gallery Players

Chris Jumper, Jennifer Walder, Joey Donnelly, MariaElisa Costa, Doug Chitel, Dennis Wees, Carman Napier in 'Chess' at the Gallery Players (photo by Ryan Graytok)

Rather than rehashing what's wrong with 'Chess,' I'll describe why it's still possible to enjoy the Gallery Players' production. The music is perhaps the most advanced artistic evolution of glossy '80s pop. And while I'm sure there are some curmudgeons out there who weren't fans of ABBA's sunny sound, Andersson and Ulvaeus were brilliant songwriters, master craftsmen not only of shiny dance tunes but also of lovely songs of love and loss.

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