The latest edition of Clay McLeod Chapman's pugilistic monologue series may be the best one yet.
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Bill O’Reilly “Sorry” for Nothing
Joy Behar and Whoopi Goldberg walk out on hate.
Read More »Theater Review (NYC): Cymbeline
Cymbeline is one of those seldom-produced Shakespeare plays we English majors read in college but rarely get the opportunity to see.
Read More »Music Review: Yoonjung Han Plays Chopin and Mompou
The Spanish composer Federico Mompou, who died in 1987, is beginning to get his due in the zeitgeist.
Read More »Theater Review (NYC): Ritter, Dene, Voss by Thomas Bernhard
A brilliant, sick brother, two hung-up sisters, and enough linguistic flair and dramatic panache for two or three plays
Read More »Theater Review (NYC): Nance O’Neil
A few days in the life of Lizzie Borden, 12 years later.
Read More »Theater Review (NYC): Roadkill Confidential
Do a controversial artist's activities at her rural studio go beyond the merely disgusting to include something more sinister?
Read More »Music Review: Indie Round-Up – Flipron, John Lee Hooker Jr., Whole Sky Monitor
John Lee Hooker Jr. blasts out high-powered, recession-era blues.
Read More »Commemorating the Revolution at Green-Wood Cemetery
Everywhere we go we walk on history.
Read More »Theater Review (NYC): The Hyperbolist at Fringe
Joe Mazza's melange of puppetry, silent film, and vaudeville effectively fuses avant-garde philosophizing with the pulling of heartstrings.
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