It was nice to see a warmer side to the cellist's chill, hyper-modern aesthetic as she introduced songs and asked the audience for vocal and smartphone participation. At the end she sent us out to wander the crowded desert of Greenwich Village, inspired by her musicianship but even more so by her distinctive dark aesthetic.
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Music Review: Maya Beiser – ‘TranceClassical’
An intriguing plunge into the many sharp and woolly possibilities of the cello in the age of electronics and genre-blending.
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