Tag Archives: Music Review

'First World Problems' is mediocre at best, coming across like an amateur garage band trying to sound cool. I’m sure Sam Levin has oodles of talent. He just needs to find the musical vehicle to express it.

'Robots, Rockets & Rampage' is taut, powerful metal, full of tone of sepulchral gravity and superior harmonic concatenations. It exudes raw, palpable, prodigious energy and monumental rhythmic punch. War Gods of the Deep knows how to turn up the heat.

'120' is “gorgeously delicious.” Daniel Biro’s musical wizardry amalgamates complex layers of sonic tessellations and gravity-defying textures into pure elegance. This is ambient music as it should be - immanent and transcendent, yet revelatory. It’s simply sublime.

'Don’t Speak' is gorgeous. The escalation of the harmonic progression synthesized with Arvesten’s rich, diaphanous voice coruscates with brilliant energy. Helga Arvesten is an artist to keep your eye on. There’s an indefinable flair to her music that’s captivating.

'Hidden Dimensions' defines the analogous aesthetic doctrine that says the tighter the discipline of an art form, the more subjective the criteria of taste. In other words, if you’re into experimental, state-of-the-art sonic manipulation, then you will enjoy this album.

'Wonder Lust' is superb! The melodies are fresh and potently layered, while the rhythms sway with compelling dynamism. Tittel’s voice provides an easy listening experience, as well as just the right amount of persuasive passion.

'Roadmaps' is excellent and so cool, it’s almost frosty. The slightly experimental melodies challenge rather than repel, simply because of their innovative flow and glossy tones. If you’re into polished jazz, Jan Sturiale’s 'Roadmaps' is for you.

The highlights of 'In Silver Halides' are the silky-smooth melodies and Deakin’s hushed velvety voice. This is an album rife with beautiful, soft music tip-toeing between orchestral prog rock and buttery acoustic/classicism. 'In Silver Halides' projects lush excellence.

'Last of the West Side Cowboys' is simply marvelous. The melody rumbles and rolls along with egregious dynamism, while the rhythm vibrates with a pulsing irresistible pattern. Goddess’ grating voice magnifies the music's electrical sparkle. All these elements combined make it a winner.

'John Wayne' is cool, fun, and stylish. The funky hip-hop melody is innovative enough to attract and maintain attention, while the lyrics imbue the tune with sardonic wit. After listening to 'John Wayne,' the forthcoming album should be worth the wait.