Tag Archives: Chord Overstreet

Glee hits the right emotional notes in its series finale, but fails to entirely stick the landing, which is par for the show.

Glee's season finale is emotionally satisfying, but unearned and lacking cohesion.

Glee improves right away as the action shifts solely to New York, creating a new cast chemistry, and there isn't a dud musical number in the entire hour.

Glee delivers one of the best sequences in the show's history in a series finale-style story, but plot holes still threaten to pull it down.

Glee hits the right emotional notes, but screws up the story in obvious and awful ways.

Glee's "Trio" is uneven with great stuff in New York, terrible stuff at McKinley, and a sweet love story that has illogical parts.

Maybe they'll do better with Christmas next week?

"Movin' Out" works because it has a lot of mostly enjoyable versions of great songs. It also uses characters effectively in decent stories.

Glee tries to draw a clear distinction between the two, but the comparisons falls flat, and the entire premise doesn't make sense.

After all, as Finn said, now memorialized in a plaque in the choir room, "The show must go on... all over the place... or something."