Well played all around, this Shakespeare's Globe production is blessed with the preternaturally naturalistic Rylance, whose severely manic-depressive and sometimes delusional King Philippe V of Spain is both brilliantly imagined and pulsatingly real.
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Interview with Gerald Elias, Author of Death and the Maiden
"If you’ve ever played in a string quartet, you’ll know it doesn’t take very long before everyone wants to kill each other."
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