The Glass River is Paul Maged's musical commentary on prominent social topics.

The Brazilian jazz pianist goes full-tilt from the start, with dense and intense rhythms, indeed a florid, Lisztian intricacy, on "To Each His Dulcinea." One listen to Elias's substitutions on the theme and you know she's playing with a full quiver of creativity as well as a twinkle in her eye.

'Resettlement' delivers an amalgamation of prog-rock, alt-rock, gospel exuberance, dynamic stasis, and frictional harmonics into innovative, matchless music - like something out of a futuristic sonic factory, where wild residual energy merges with the digital.

The release leaves listeners with a fondness for pleasing pastorals.

Gould applies the principles of R&B, funk, and jazz to his arrangements.

This is a beautiful album, full of sumptuous rich melodies laced with exquisite, mellow energy. Reed’s voice is easy to listen to, placid and satisfying. 'If All the World Were Right' is perfect for chilling on a sunny afternoon.

Traditional Hanukkah songs are reimagined in a big band production with 1940s-style swing.

RK Dawkins offers a pleasing escape from the burdens of reality for audiences.

'Crashland’ is an album for those seeking to appreciate the finer details of a singer-songwriter’s work.

Legendary Jethro Tull guitarist Martin Barre and his band touched down in New York City for a night of blues, rock, and Tull.