The musicians achieved a lyrical ease, built to a satisfying romantic climax, and ratcheted up the tension...
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Music Review: ‘Short Stories’ from Composer-Percussionist José Martínez
Evocative electroacoustic music from composer-percussionist José Martínez engages with the composer's Latin heritage, and with the absurd, while pushing creative boundaries.
Read More »Music Review: Eric Moe – ‘Where Do You See Yourself in 5 Years’
A job interview in music form? Skillful interplay among the instruments and the contrasting moods of the responses show once again a sensibility deeply rooted in the human.
Read More »Music Review: Ken Ueno – ‘Wavelengths,’ a Percussion Collection
Ueno's percussion music reminds us that as long as there's a musician and a listener, there is real physical interplay between the the sound and the auditor's biology.
Read More »Music Review: Ensemble Dal Niente Performs Music by George Lewis, Carola Bauckholt, Igor Santos on ‘portrait RE/Flux/Pacific Time’
This bold new collection showcases music from a relative newcomer side-by-side with recent compositions by long-established contemporary composers.
Read More »Music Review: Michael Hersch – ‘Medea,’ a One-Act Opera, Libretto by Stephanie Fleischmann
Even for an experimental-music aficionado, these works can be challenging to absorb. But it's worth exposing oneself to art that tears away boundaries and expectations
Read More »Music Review: Sarah Kirkland Snider – ‘Forward into Light’
The new album featuring the Metropolis Ensemble led by Andrew Cyr reveals Snider as, among other things, a master orchestral colorist.
Read More »Concert Review: Composer Portraits Presents Andrew McIntosh, with Yarn/Wire
The often meditative music included the world premiere of a substantial new work for two pianos, two percussionists, and viola.
Read More »Concert Review: Pianist Chengcheng Ma – Chopin, Liszt, Zhang, and Challenging Music from Two Contemporary American Composers
Ma's impressive recital was an almost nonstop whirlwind of effervescent power.
Read More »Exclusive Interview: Pianist Chengcheng Ma on His Jan. 8 NYC Concert
"The score is not an endpoint but a starting point. Music truly comes alive in the moment – in breath, time, and immediate reaction."
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